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...material in Eichinger’s script is not entirely new. The account of Hitler’s secretary, Traudl Junge, which provides the film with its basic structure and point of view, appeared in the 2002 documentary Blind Spot by Austrian multimedia artist André Heller. Much of the same material was the subject of a 2003 documentary in the BBC’s Days that Shook the World series, which also included a description of the bunker through Traudl’s eyes...

Author: By Moira G. Weigel, CONTRIBUTING WRITER | Title: Hitler's Downfall Rescreened | 3/18/2005 | See Source »

However, the release of the film last September caused an uproar in Germany. The objections it provoked were, predictably, related to the allegedly “humanizing” aspects of Eichinger’s account...

Author: By Moira G. Weigel, CONTRIBUTING WRITER | Title: Hitler's Downfall Rescreened | 3/18/2005 | See Source »

...some may find this troubling. But, for the most part, by keeping Hitler in the third person of Traudl’s account, Eichinger has resisted “psychologizing” him in the damning sense that most critics would use that term. By confining himself and his script almost exclusively to the last days of the war and avoiding explanatory digressions into the disappointments of Hitler’s youth and his experiences in World War I, Eichinger escapes any impulse toward explanation qua explanation...

Author: By Moira G. Weigel, CONTRIBUTING WRITER | Title: Hitler's Downfall Rescreened | 3/18/2005 | See Source »

...measurements” of Native American heritage—blood and personal choice—pinning down who is and is not Native American is no trivial task. But some determination must be made if Harvard wants to continue to take Native American ethnicity into account when making admissions decisions. No matter what admissions officials say, it’s clear that a non-white ethnicity can, in certain circumstances, be a positive factor in admissions decisions. The onus is on Harvard, then, to ensure that these decisions are made with full and accurate disclosure from all applicants...

Author: By The Crimson Staff, | Title: Issues of Identity | 3/18/2005 | See Source »

Mondovino begins with an account of “L’Affaire Mondavi,” hotshot Napa newcomer Robert Mondavi’s attempt to buy out older vineyards in the Burgundy region of France. From there the documentary spirals wildly to both the deeply individual and personal—one woman’s decision to quit her job; a father’s disapproval of his profit-minded son—and the staggeringly broad—the rights of laborers; the aftermath of fascism; and the costs of globalization...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: MOVIE REVIEW: Mondovino | 3/18/2005 | See Source »

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