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Word: accounting (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...abiding apothecary," had "blown the contents of his piggy bank" to go to her aid. "Take it easy on my Dad," she told the Mirror. "He's never been outside Toledo. . . . Please buy him a beer." In court she exposed her back ("an official striptease," said one leering account) to show the judge and photographers her bruises...

Author: /time Magazine | Title: The Press: Satira, Tirana & Mee | 5/5/1947 | See Source »

Presbyterian Miller believes that Karl Marx provided some knowledge that is necessary to effective action. Says he: "Marxism is an indispensable key to history. Its essential doctrines stand, and the contemporary process of social change is inexplicable without taking account of them. It is a scientific sociology...

Author: /time Magazine | Title: Religion: Two Faiths | 5/5/1947 | See Source »

Painter Levi spent only one year in Gagliano, because he was one of the political prisoners to whom the triumphant Fascists granted amnesty after the fall of Addis Ababba. Christ Stopped at Eboli, a best-seller in Italy, is Levi's account of this year of exile. It is another instance of an able, discerning painter taking up a pen and thereby putting professional writers in the shade...

Author: /time Magazine | Title: Books: To the World of the Dead | 5/5/1947 | See Source »

...program of three lengthy choral works commissioned for the occasion. These were, in the order of their performance: a "Last Judgement" by Paul Hindemith; a set of excerpts from Virgil's "Georgies", set to music under the title of "La Terra" by Gian-Francesco Malipiero; and the Genesis account of creation, entitled by its composer, Aaron Copland, "In the Beginning." All three were performed to a miraculous perfection by New York's Collegiate Chorale, under the direction of Robert Shaw. Nell Tangeman sang with all vocal beauty the extended and difficult solo passages of the Copland work. Mary Crowley accompanied...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 5/3/1947 | See Source »

...setting, though interspersed with brass interludes in his familiar fugal style, is perhaps a shade expeditious for so picturesque a subject. It trips, or rather bumps along in a jolly fashion that depicts little and scares no one; but it is distinguished music, if a bit ineffective (largely on account of the constant use of contrapuntal repeating-patterns) in its efforts at vividness. Its most vigorously expressive moment is one that describes the gnashing of teeth...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 5/3/1947 | See Source »

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