Word: accounting
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...With the last two narrators, the novel spins out of Budnitz's previously firm control. The style changes from short sentences to descriptive passages, while snippets of modern existence attempt to address all the moral and emotional issues Budnitz has introduced. To prevent the rich symbolism of Ilana's account in the old country from laying waste, Budnitz reintroduces the egg as the unifying concept for the novel. When Ilana dies, the egg loses its sheen, and the novel comes to a halting...
...Whereas Ilana's narrative is laden with folklore, Sashie, the second narrator, sounds equally fictional, for her story is an unoriginal interpretation of growing up as a first generation American. Still, the absence of lingering discussions of goblins makes Sashie's account is much more believable. Sashie feels the tension of assimilation; in one instance, she appeals to her hair for assistance in cultivating identity-- "There was a black coating on my hair but I could see out of the corners of my eyes that it was golden underneath, if they would only look." Yet even this typical immigrant assimilationist...
...proctor and his girlfriend's account were far more credible than the [accounts of] others involved," one police officer said...
...line between fact and fiction is always shaky, how well-defined is it in The Insider? Although Mann has admitted to taking dramatic license with some of the characters and events, the film nevertheless presents itself as a hard-hitting, true-to-life account of exactly what went on behind the scenes at "60 Minutes." And Mann's version of the "truth," however manipulated it might be, is raising pulses and tempers at "60 Minutes...
...Insider raises pressing questions about the boundaries between reality and fiction, and while there may not be rules about how to represent the truth, perhaps there should be responsibilities. In light of this, perhaps The Insider is being misrepresented as a "true" account; it might be more befitting of Mann to market his film as a kind of "historical fiction" than as the real thing...