Word: acidizing
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...learn to love physics concentrators without six packs. And monkeybread, lots of monkeybread. But then again, so will everyone else. Housed in Lowell? In your single-turned-triple, you and your roommates can sit and discuss lattice theory, Faulkner, and the ancient exquisite art of combating cockroaches with boric acid. In Mather, you’ll have a spacious single, in which you can gather your hordes of new friends and plan a revolution. If you’re in Quincy, prepare to fight next year’s freshmen for “golden nuggets?...
...their emissions to offset Western pollution. The reason this doesn't work--and why the carbon racket is a farce--is that you need a cap for cap-and-trade to work. Sulfur dioxide emissions in the U.S. were capped, and the trading system succeeded in reducing acid rain by half. But even the Kyoto treaty doesn't put any cap on greenhouse gases in China and India, where billions of these carbon credits are traded. Sure, you can pretend you're offsetting Western greenhouse pollution by supposedly cleaning up a dirty coal plant in China. But China is adding...
...that warehouse. The digital--back lot approach places an immense burden on the director. "Zack would go, 'Come and see this stage!'" says Lena Headey, who plays Leonidas' wife. "And we'd go, and there'd be, like, a rock. And we'd be like, 'Has he taken acid this morning? Or what's he looking at?'" Snyder had to make his actors see what he saw, and he saw things that weren't there yet. "Every now and then I'd stop and go, 'This is crazy!'" he says. "'What are we doing?' And then we'd shake that...
...these for the opening lines to a musical: "Forty-three wounds on his body. Acid in his face. Chopped off his right hand. Then he was blown up. His pieces were splattered all over the floor. His pieces were splattered all over the wall. His pieces were splattered all over the ceiling...
...careful to discount the importance of chronology when discussing her work. For instance, the 67-year-old New Yorker still creates work that evokes the free spirit of art in the 1960’s—as evidenced in 2005’s “Surfing on Acid,” a painting dominated by red, green, and yellow oozing over a hot pink background that recalls the color fields of Ellsworth Kelley and Mark Rothko. Though Heilmann identifies with the abstract expressionist movement, she prefers to see herself as offering a “postmodern look?...