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Word: acrosse (lookup in dictionary) (lookup stats)
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When, however, characters interact across the platforms or wander between them—as they frequently do—any understanding of the island and the outside world as separate and unconnected realities is shattered. The set’s spatio-temporal malleability works in tandem with other design details: the offstage director’s chair labeled “Hogan” that Bishop frequently occupies, and the disembodied voices that suggest the play might be a product of Bishop’s insane mind...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Fat Men in Skirts!!!?! | 4/27/2010 | See Source »

...Skirts!!!?!” excells at engaging its themes, but it does have some notable flaws. Occasionally, Giuliani’s direction crosses the line between dark humor and graphic tastelessness, as in the scene when Bishop eats a dead baby and continually spits chunks of it across the stage. In moments like these, the play is completely inaccessible and repulsive, rather than thought-provoking or funny...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Fat Men in Skirts!!!?! | 4/27/2010 | See Source »

Additionally, Giuliani’s attempt to break the fourth wall fails. Moments where the actors directly interact with the audience are out of place and serve no practical purpose in a play that is already jarring and difficult to comprehend. The debris strewn across the back rows of the theater feels unnecessary, while the moment when Palmer tosses a beach ball into the crowd is awkward and confusing...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Fat Men in Skirts!!!?! | 4/27/2010 | See Source »

Bendorf is proud of her suggestion. “[Reddout] has been an absolutely fabulous director,” she says. “She really gets down to the heart of every character and makes that come across the stage...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Jordan Reddout ’10 | 4/27/2010 | See Source »

...studio of Vi T. Vu ’10 is stacked with paintings. Vividly fluorescent animal and vegetal figures leap across dark backgrounds, multiplying in mirror images of each other. Look more closely, and strange themes begin to emerge: anthropomorphic shapes, images of violence and renewal, all come together in a series of intricately-articulated symbolic forms. All orders and variety are thrown together, but the composition is far from careless. Vu, has created her own, hard-to-catagorize, world...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Vi Vu '10 | 4/27/2010 | See Source »

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