Search Details

Word: actaeon (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...highest: Velazquez's Portrait of Juan de Pareja, $5.5 million, in 1970; Titian's Death of Actaeon, $4 million...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

...Experiment, both of 50 guns, only a few hundred yards from the fort and proceeded to pound it with broadside after broadside. At the same time, the bomb ketch Thunder anchored farther south and arched explosive 10-inch mortar shells into Moultrie's position. Three lighter vessels, the Actaeon and the Syren, both 28 guns, and the Sphinx, 20, drifted westward into the harbor, hoping to get round the fort and attack it from behind...

Author: /time Magazine | Title: The Nation: Grog, Grit and Gunnery | 7/4/1976 | See Source »

AMERICAN BALLET THEATRE repertory. I saw these dudes in New York City this summer: I'd seen Jerome Robbins's Goldberg Variations the year before and figured I might enjoy getting into ballet. This American Ballet outfit speedily disabused me. "Diana and Actaeon" is a particularly good number to miss. 8 p.m., tonight and tomorrow at the Loeb...

Author: NO WRITER ATTRIBUTED | Title: the stage | 9/21/1973 | See Source »

...Oilionaire J. Paul Getty shook up the British art establishment last June with his acquisition at auction of Titian's The Death of Actaeon for about $4,200,000. Just the year before, New York City's Metropolitan Museum had walked off with another British-owned masterpiece, Velasquez's portrait of Juan de Pareja, for a record $5,544,000. Officials of the National Gallery and others raised a din, acting as if those rich Americans would soon leave Britons nothing to look at but the telly. At last, with considerable reluctance, the government blocked the removal...

Author: /time Magazine | Title: People, Nov. 1, 1971 | 11/1/1971 | See Source »

...table is not an isolated case. In its upper reaches, the art market has been afflicted with a kind of collective hysteria, a St. Vitus's dance of zeros across the checkbook: $5,544,000 for a Velasquez; a Titian, The Death of Actaeon, sold to Paul Getty for a little over $4,000,000; last week a Renoir, purchased for $16.80 a century ago, fetched $1,159,200 at a London auction. The list could be prolonged almost indefinitely, and will be: before the '70s are out, the first $10 million painting will probably have gone under...

Author: /time Magazine | Title: Time Essay: WHO NEEDS MASTERPIECES AT THOSE PRICES? | 7/19/1971 | See Source »

| 1 | 2 | 3 | Next