Word: acted
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Dates: during 1950-1959
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...clear that you have chosen to act as apologist for Lee Falk's now defunct Boston Summer Theatre, and, more especially, for the Group 20 Players at Wellesley, now in their sixth season. I have no intention of taking one side or another in any conflict between the C.D.F. and Group 20; as a journalistic critic, I have been to see and/or review almost all the summer play productions in the area for a good number of years, and my admiration for the impressive roster of achievements by both these groups is strong. But your letter contains so many errors...
...Peter Lorre as a white-face clown to Mrs. Bing Crosby on a flying trapeze-and backs them up with everything from lion tamers and wire walkers to the Ronnie Lewis Trio, the Flying Alexanders, and Hugo Zacchini. the Human Cannon Ball. But as Ringmaster Vincent Price calls off act after act, The Big Circus often looks like a gaudily colored CinemaScope production of the Ed Sullivan Show...
Management is hard pressed to combat such excesses. The Taft-Hartley Act rules out payments "for services which are not performed," but the Supreme Court has held featherbedding legal as long as workers perform any service-or just stay on the job. Moreover, management is often embarrassed by featherbedding on its own level. The American Institute of Management reported that 90% of U.S. companies suffer from featherbedding in the executive suite-managers who are kicked upstairs to show jobs, vice presidents (and their nephews) who have little to do after a company merges...
...core of the book is a well-conceived act of psychological villainy: the hero, crippled emotionally when his second wife dies in childbirth, raises his infant daughter in her mother's cold image, and thwarts all the child's efforts to break free of his oppressive love. But swathed about this core is an unbelievable amount of mustachioed melodrama. The novel's major fault is that, for the greater part of its length, the major actors glide about like decapitated ghosts searching for their heads, scaring the daylights out of onlookers but affecting each other...
...plagues. His face is ugly. He stammers. His best way of expressing an early-teen-age love is to jump out of a bamboo thicket in the path of his girl's bicycle and scare her half to death. One terrible night, he witnesses his mother in the act of adultery. It is typical of Author Mishima's gift for powerful indirection that this entire episode is conveyed in terms of a ripple of mosquito netting...