Word: acted
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Dates: during 1960-1969
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...Forward Thrust's program this far, Ellis had to deal with 30 city governments and King County. He readily concedes that it would have been more difficult to act if there had been many more governments to convince of the need for the improvements. Too, the problems in the Seattle area are not as grave as they are in other parts of the country-and there is more land, water, good air and scenery left to save. Yet Forward Thrust's precepts and example can serve many other cities. "We're a pluralistic society," says Ellis...
...what the Daily Sketch called the "cheek" of members that presume to question Britain's policies. The nation that once ruled over a quarter of the globe is now desperately retrenching, and a great many Britons might agree with the Spectator: "What we must do is to act on the very threat that many of our partners have used against us too successfully in the past. We should withdraw our membership...
Saddest of all, perhaps, an unidentified vandal slipped into the Met's European-paintings gallery and scratched a small H into the corners of ten paintings (none was seriously damaged). "An act by a very sick individual," said Hoving. He was hardly fazed, however, by the complaints about the show. "From time to time, a great institution must do something highly experimental," he observed. "It is necessary to keep alive and thinking...
...speaking out against imposed authority, against ruts and for change." At 48, she no longer dances regularly, but is busily experimenting with new variations of her myth form. So far she has concocted something called "rituals" (which are, in effect, mini-myths) and "twos" (which require participants to act as couples throughout). Next month, at Los Angeles' Music Center, she will stage her most ambitious undertaking to date: a Watts myth. "It will not be a black-white confrontation," she says, "but rather a recognition of ourselves through color differences. We hope to discover our humanness...
...society's myths, or basic beliefs, are as fundamental to its form as its language. Even modern men are driven by such primal instincts as incest, murder, sacrifice and cannibalism, although such drives are almost entirely submerged by the character of urban life. By encouraging her audiences to act out their anxieties in terms of free-moving myths, Halprin is providing not only a therapeutic outlet but an artistic one as well. "The central idea of every evening," she says, is "to release people's buried creativity...