Word: acted
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Dates: during 1970-1979
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...past, public oversight and public accountability was an impossibility--there was simply not enough information shared with the public. Today that's no longer true. The recent revelations, the public inquiries and investigations, the Freedom of Information Act, have all made our intelligence community much more accessible to the public than heretofore. In addition, over the past several years we have made a very definite and deliberate effort to be more open as an intelligence community. We are responding to the press more forthrightly than ever before. Clearly we can't answer every question, but I can assure you that...
...tremendous impact on American theater. Under his guidance, the Yale Repertory Company has been vibrant and innovative. The Yale School of Drama has established itself at the forefront of American theater training. On the surface, Brustein appears to have every credential to serve an apocalyptic function, to act as a White Knight who can ride in and take Cambridge by storm...
There are undoubtedly people who believe that improving the quality of Loeb theater is worth the de facto abandonment of the amateur principle. These people will argue that students who are not "serious" about theater, students who are not pre-professional, can always act, direct and do tech work on House shows. It is ironic that the majority of Harvard students should have to return to the situation that existed before the Loeb was built, doing shows in terribly limiting and uninspiring facilities. The Loeb was planned because there was an obvious need for a well-equipped undergraduate acting facility...
...Neill praised the record ot the 95th Congress yesterday, saying that "with Jimmy, Carter as President, the Democratic Congress can and does act as a co-equal partner in the running of government...
EXCELLENT singing and enunciation keep this Pinaforeafloat, through scenes and scenes of half-hearted dancing and stage business. Not until the middle of the second act does the cast loosen up, and give a taste of what the entire show could have been like. In the traditional encores after the trio, "Never Mind the Why and Wherefore," Prince, Falk and Weary suddenly perk up and begin to command the Loeb stage. It doesn't matter that many of their routines are classic D'Oyly Carte fare--they start to look like they're having fun. The rest of the act...