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Realizing that they had a role to play, artists became more actively engaged in raising awareness about the crisis. “Those people brought all of their creative energy and their intellect to bear on this massive health crisis. They understood that in addition to acts of civil disobedience, they were also going to have to operate on another public sphere, and that was the sphere of images,” Molesworth says. “So they made t-shirts and stickers and posters that got pasted all over New York, and billboards, and bus advertisements and subway...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...ACT UP was formed in 1987, and was probably the definitive social movement of my life, and also of my generation,” says Helen Molesworth, a co-curator of the exhibition and the Houghton Curator of Contemporary Art at the Harvard Art Museum. “It was a really important moment of social protest in our lifetime...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

During its first years, ACT UP became a widespread movement largely because its symbols were widely recognizable and eventually iconic. Deeply saturated with artists and the art, it functioned as a sort of visual, social initiative...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...late 1980s, AIDS related death rates skyrocketed, causing a genuine crisis in American health care. Responding to the growing fear among citizens and the rising cases of illness, ACT UP sought to foster open public discussion...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...coalition of ACT UP was populated by artists and that was the case for a variety of things, including the simple fact of New York life in the 1980s,” says Claire Grace, co-curator and PhD student at Harvard’s Department of History of Art and Architecture...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

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