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...physical scene of this one-acter shows this lack of expertise at its fullest. Paul, the son, and three of his black friends are robbing Ed, the father, at his safe. While Paul has explained in the scene before that his father will surely open his safe and count his money at three in the morning, it's hard to believe that even super-capitalist Ed would actually get out of bed to do this. During the robbery attempt, as one of the boys tries to smash Ed on the back of the head with a bottle, the victim pulls...

Author: By Frank Rich, | Title: Sligar and Son | 11/9/1968 | See Source »

Consider the plot of Tea Party, a one-acter that, along with The Basement, is being offered off-Broadway. The central figure is Sisson (David Ford), a middleaged, successful British manufacturer of bidets. A self-made man, he prizes decisiveness, precision, strength of character. A widower, he marries a genteel second wife (June Emery) and hires a miniskirted, sexually provocative secretary (Valerie French) in the same week. He invites his wife's brother (John Tillinger) into the firm. His wife becomes her brother's secretary, and the pair indulge in faintly incestuous reminiscences of days on a gracious...

Author: /time Magazine | Title: New Plays: Translations from the Unconscious | 10/25/1968 | See Source »

...spade-bearded expatriate from Maine. Devoted to what he calls "the Theater of Eros," he is at work on a six-playlet cycle under the collective title of Kiss My .... He believes that drama should be made accessible to people within their daily living patterns. Accordingly, his latest one-acter, The Nudist Campers Grow and Grow, goes on at Cafe Ambiance at lunch hour. Each patron is given a tree leaf if he cares to join the nude campers. A few have...

Author: /time Magazine | Title: Theater: LONDON STAGE: FOSSILS AND FERMENT | 8/9/1968 | See Source »

...presented last November, shows the composer in even greater command of expressive forces than the relatively primitive Mines. Meanwhile, Mines has become established in the European repertory, with performances in Italy, France, Germany and Sweden, and one now in preparation in Czechoslovakia. With three operas (including an early one-acter), four string quartets, two symphonies, and a sheaf of smaller pieces to his credit-and a piano concerto and another opera in progress-Bennett has already reached a point envied by most composers and attained by a few: he can live quite comfortably off his royalties...

Author: /time Magazine | Title: Composers: The Bennett Bash | 1/26/1968 | See Source »

...contains uncompromisingly fine acting by the two-man cast, Eli Wallach and Milo O'Shea, and a decent quota of amusing though not wildly funny lines. The empty half consists of scanty action, no character development, and a drowsy repetitiveness that comes from distending a potentially compact one-acter into a full-length play. The comedy concerns two aging homosexual barbers and is unlikely to offend any one, except possibly barbers...

Author: /time Magazine | Title: New Plays: Staircase | 1/19/1968 | See Source »

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