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Word: acters (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Cincinnati last week showed the U.S. how to put on a new opera in English for operatic pin money. With a budget of $9,000 (mostly for sets, etc.) and a cast of home-town talent, townsmen rolled up their sleeves and mounted a three-acter by U.S. Composer Vittorio Giannini, based on Shakespeare's Taming of the Shrew...

Author: /time Magazine | Title: Music: New Shrew in Cincinnati | 2/9/1953 | See Source »

...Browning Version (J. Arthur Rank; Universal-International) is Playwright Terence (The Winslow Boy) Rattigan's own adaptation of his one-acter about a Mr. Chips-in-reverse, an unloved, dried-up academic tyrant on the way out of an English public school after 18 years. Like the play, the film daubs life liberally with greasepaint. But it is still a moving story, and lends British support to the Hollywood slogan that movies are better than ever-especially when adapted with care from successful plays or novels...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 12, 1951 | 11/12/1951 | See Source »

...York City Opera resurrected his old (1906) three-acter, I Quattro Rusteghi, never before performed in the U.S. Decked out in an English translation, The Four Ruffians made up in broad mirth anything it lacked in old-school elegance...

Author: /time Magazine | Title: Music: First-Class Piccalilli | 10/29/1951 | See Source »

This posed a stickler for Shaw's trusted friend, Producer Gabriel (Pygmalion, Caesar and Cleopatra) Pascal, who had to stretch the two-acter, Androcles and the Lion, to feature length. Pascal finally wangled a grudging O.K. from the trustees of Shaw's estate to raise the alteration rate to 25%, and fattened up the script with lines borrowed from Shaw's own preface. With the biggest barrier hurdled, Androcles was only two weeks behind schedule at RKO last week...

Author: /time Magazine | Title: Cinema: Don't Call Me George | 10/15/1951 | See Source »

Last week the Opera Workshop of Manhattan's Mannes School of Music honored Martinu, its most distinguished faculty member, with two bang-up performances -the first in the U.S.-of his old one-acter. Most startled with its success was Martinu himself, who had always considered the work purely a Czech chuckle. His one admonition to the Workshop group was: "Keep it a comedy." A cast of eight expert singers, accompanied by a chamber orchestra, played the well-scored opera as a near-burlesque...

Author: /time Magazine | Title: Music: New Limelight at 60 | 6/11/1951 | See Source »

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