Word: acters
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...tumbling ocean. Next year the play-acting fad persisted. Mary Vorse turned over a shack on her wharf to the enterprise and someone named Eugene Gladstone O'Neill, a lank, bushy-headed fellow with no money but "a trunkful of plays," contributed to the second bill a one-acter called Bound East For Cardiff. Sick with stage fright, "Gene" O'Neill spoke a few lines as the mate. Lending a particularly happy atmospheric effect, under the feet of an audience of 30 lapped the restless...
Strange Interlude. Culture climbers, scattered seafaring men, drama devotees, Germans, George Jean Nathan, common people eyed narrowly the first performance of the season's prodigy. Eugene Gladstone O'Neill's nine-acter was solemnized by the Theatre Guild. The play began at 5:15, ran until 7:30, took recess for hungry actor and audience, resumed at 9, discharged...
...faint touch of tuberculosis, that he stopped to think. Soon he wrote his first play and proceeded to George Pierce Baker's famed playwright's class at Harvard to achieve technique. In 1916 at the tiny Wharf Theatre in Provincetown, Mass., his first production came to life, a one-acter, Bound East for Cardiff. Henry Louis Mencken and George Jean Nathan, then editors of the rascally Smart Set, accepted three plays for publication. Critic Nathan, notorious, noisy, can always say, truthfully, he recognized the good wine of genius before the grape was ripe. He still ballyhoos O'Neill frantically...
...second Junior sequad worked out against Browne and Nichols in a dummy scrimmage of a most informal char- acter. The Juniors were on the defensive throughout, but not score was made...
...eminent jurist; a surgeon can be a scoundrel, and yet be very successful with the lancet. But a minister is in everybody's eyes, and must therefore be pure in every respect. If he falls once, his career is gone. And this realization that success lies in your char- acter is one of the greatest joys of a minister's life...