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Word: actes (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Have the Mormons not heard that pigmentation is nature's device for filtering out ultraviolet rays? It is, then, an act of God's mercy, not vengeance...

Author: /time Magazine | Title: Letters, may 4, 1959 | 5/4/1959 | See Source »

...point: Michigan Republicans, who have had a field day blaming "Soapy" Williams-and his powerful political ally, U.A.W. President Walter Reuther-for leading the state to bankruptcy, had an urgent responsibility to act fast if they did not want to be blamed themselves...

Author: /time Magazine | Title: MICHIGAN: Bow Tie & Black Eye | 5/4/1959 | See Source »

...Bolshoi's Swan Lake was strikingly different from the two versions-by the New York City Ballet and Britain's Royal Ballet-most frequently seen in the West. While the City Ballet version telescopes the action into a single act and provides brilliant virtuoso movements for the entire ballet corps, the Bolshoi keeps the original four acts and focuses on the soloists, with the corps often planted in mere statuesque rows and curves. The traditional Swan Lake ending, which is authentically portrayed by the Royal Ballet-the Princess changed back into a swan, forever lost to the world...

Author: /time Magazine | Title: Music: The Bolshoi's Bounce | 5/4/1959 | See Source »

Timofeyeva relied on a broader, more flowing style, achieved some of her most moving effects in the series of soaring Act II lifts and in the last-act duet in which she hovered back to consciousness on feet as tremulous as a butterfly's wing. And where Plisetskaya had omitted the famous 32 fouettés (snapped turns) in the "Black Swan Pas de Deux," Timofeyeva whipped them off with a bravura that brought the house alive with a roar...

Author: /time Magazine | Title: Music: The Bolshoi's Bounce | 5/4/1959 | See Source »

There were other stars both evenings: Vladimir Levashev, who danced the role of the Evil Sorcerer with briny conviction and made his final, crippled death dance a wonderful virtuoso exercise; Nicolai Fadeyechev, who was superb as the Prince, particularly in his leaps in the Act III Black Swan variations; Georgi Soloviev as an acrobatic Jester (a happy Russian addition to the ballet). Occasionally ragged the first evening, the Bolshoi's Swan Lake was danced with fine precision at the second performance. The repetitive, copybook attitudes of the ballet corps occasionally clotted the action and wearied...

Author: /time Magazine | Title: Music: The Bolshoi's Bounce | 5/4/1959 | See Source »

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