Word: actioners
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Dates: during 1990-1999
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...lighting and costumes. Luckily, dancing alone is not the focal point of this classic holiday performance. It is a long ballet, longer than most at two hours, and includes a continuous change of scenery and characters, posing a particularly difficult feat for choreographers. Also, a large part of the action relies on children, who despite their training at the Boston Ballet School, inevitably lack the precision that comes with years of training. Perhaps a reflection of the collaborative efforts of multiple choreographers (Anna-Marie Holmes, Bruce Marks, Sydney Leonard and Daniel Pelzig) rather than of one person's vision...
...sweeping epics in relatively confined spaces, and he stays true to form here. The pacing is deliberate, allowing the audience to fully experience all the tensions and hardships of life on Death Row. Still, Darabont is careful not to waste any screentime on dull moments; there's plenty of action to offset the unusually long running time. As the film progresses, the tone remains predominantly serious (befitting a story set on Death Row), interspersed with lighter scenes of optimism and hope. Edgecomb's urinary problems, painful as they are to watch, provide a small degree of comic relief...
...campaigns of Fentrice Driskell '01 and Burton lead the field, with endorsements from the Black Students Association (BSA), the Black Men's Forum, the liberal magazine Perspective, Radcliffe Union of Students (RUS), Students for Choice, the Environmental Action Committee (EAC), and one-half of the BGLTSA's split endorsement...
...work of the printer. As Hulsey puts it, in setting a line of a poem the difference between its looking right and looking wrong is sometimes less than half a point. A few assembled stanzas laid out this way glimmer like distant, crowded constellations. Then the cylinders, wheeled into action by the big arm-crank, roll across the runway of the text, inking the letters and catching up a page in the flight of its own making...
Maybe today's rudeness is an off-shoot of the culture of protest and action that is a characteristic of the Harvard Square scene. What worked so well for the Vietnam War or civil rights is now applied to everyone's own peccadilloes and fixations. The female pedestrian obviously felt she had the moral high ground to handle me in any way she saw fit since I was a hazard to humanity and therefore deserved no part among society...