Word: actioners
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Efforts to combat the urgent threat of climate change were not confined to the International Day of Climate Action. Several Harvard students and faculty from the Harvard Divinity School took part in a protest at Boston Common Sunday afternoon. The protest was organized by the Leadership Campaign, a group of students and other concerned citizens dedicated to pressuring politicians to adopt stronger climate legislation. The protest kick-started a “sleep-out” during which affiliates of the Campaign plan to camp out on the Common until the Copenhagen climate conference in December...
...very static performance, “Richard II” features little physical action besides two very brief sword fights and the comically repetitive throwing down of gauntlets to challenge enemies. Generally the actors stand in one place and deliver their lines, moving only occasionally to engage the other characters. The stage is similarly uneventful. The intimate Horner Room is barely altered; a throne and the room’s balcony are the totality of the set. The production therefore relies totally on its actresses’ ability to shed new light on their characters...
When Kass isn’t on stage providing comedic action, Reinert takes her place there with spunk and energy. Portraying the playful and mischievous cupid, Reinert is garbed in a mismatched white and red-checkered shirt and pants, with a pair of aviator shades to match. Not only are her arias beautifully sung, but she is constantly in character, whether snuggling next to the sleeping Semele after Jupiter has left her, or serving drinks in Solo cups to the cast while they sing joyfully about everything working out the way it should have. This, the final scene, is especially...
...divine lover costs her her life. But Harvard Early Music Society’s production of “Semele,” which ran this past weekend at the New College Theatre, manages to spruce up the antiquated setting quite a bit, perhaps predictably arranging the action in America’s own period of mythical free love and divine (ahem, drug-induced) revelation: the groovy 1970s. Nuanced but still exciting, “Semele” shows that Baroque opera can still...
...only thing that detracts from this production is that, at times, the pit orchestra overpowers the vocalists. Although this is an infrequent occurrence, it distracts from the action on stage and causes the lines in certain scenes to be lost...