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...interview made clear that Lester was something like the show’s textual director, working to locate with precision, and draw out of the actor??s line readings, the inherent and unsettling complexity that Clarke had correctly sensed...

Author: By Emma Firestone, CRIMSON STAFF WRITER | Title: ART’s Dream Startles Audiences | 2/20/2004 | See Source »

Fifty years after its release, From Here to Eternity, based on the revolutionary war novel by James Jones, still has something to offer modern audiences. Go to see Frank Sinatra in the role that confirmed that the then up-and-coming actor??s star had arrived; or just go to see a young Burt Lancaster and Deborah Kerr make out in their notorious sex scene on the beach. Either way, From Here to Eternity will be certain sure to warm your ice-cold days. Through Dec. 18. 7:15 and 9:45 p.m. Tickets $12; Brattle Theatre...

Author: By Crimson Staff, | Title: Listings, Dec. 12-18 | 12/12/2003 | See Source »

Like _______ D. ______ (famous actor??s name) and ____ G. ______ (famous actress’s name) ’s unforgettable lovers in James Cameron’s Oscar Award (R) winning epic, _________ “(name of a James Cameron Oscar Award-Winning epic), this romance between a man and his stamps was not meant to be. “You guys really missed the _________ (noun mode of transportation) on this one,” confesses Nichols, “I lost my collection last year when I was moving out of DeWolfe summer housing.” This...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: FM's Mad Libs | 12/11/2003 | See Source »

...last year’s production of Highway Ulysses at the A.R.T. It put things more into perspective with regard to acting as a career: what sort of talent and commitment are involved. On the stage you don’t have be beautiful to be an actor??sorry Tommy...

Author: By Jayme J. Herschkopf, CRIMSON STAFF WRITER | Title: Spotlight: Robert P. Young '06 | 11/21/2003 | See Source »

...set’s complicated division of interior and exterior spaces, a pair of on-stage camerapersons send live footage of various scenes directly to the screen. Issues of form aside, this makes for moments of tremendous dramatic power—intense moments of dialogue and close-ups on actor??s faces are quite gripping—and images of considerable beauty (such as a lengthy shot of the dead Strozzi daughter’s hand...

Author: By Patrick D. Blanchfield, CRIMSON STAFF WRITER | Title: Review: Scheib's 'Lorenzaccio' Scores | 11/17/2003 | See Source »

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