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...Cambridge Players are the makers of an enjoyable production. Cobra Wither spoon as guest star and leading lady takes her part in easy and capable stride, that puts and audience at case and draws the best out of the supporting cast. Jack Sheehan, Allan Tower, Louise Kanasireff, and actor-director Robert Perry match her with professional experience and smoothness. Also, there is the usual and pleasant sprinkling of handsome young actors and beautiful young actresses that have come to be a welcome characteristic of the summer stage. Of the latter category, Richard Barthelmess' daughter Mary is unquestionably the most beautiful...

Author: By R. A., | Title: PLAYGOER | 5/12/1942 | See Source »

...thereafter stayed continuously on the front page with The Cradle Will Rock, the season's most original form of entertainment; The Shoemakers' Holiday, the season's most rollicking revival; Heartbreak House, the season's most difficult play to revive. Synonymous with the Mercury Theatre was Actor-Director Orson Welles...

Author: /time Magazine | Title: The Theatre: Exit Smiling | 5/30/1938 | See Source »

...Group, Clurman remained. Cheryl Crawford set up as her own producer, last week made her bow with All the Living. Strasberg became a free lance. Both Crawford and Strasberg represent the vanguard of the U. S. theatre; both have a background of foreign experimentalism. Strasberg, originally influenced by Actor-Director Constantine Stanislavsky of the famed Moscow Art Theatre, favors a naturalistic technique, insists that actors should "do all the small things, not worry about the big things...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Apr. 4, 1938 | 4/4/1938 | See Source »

...most recent of the just-short-of-a-hit plays, which may build into a real smash before many weeks go by, is "Fly Away Home," produced by a new luminary amongst Broadway impressarios. Theron Bamberger, and starring that genial and expansive actor-director. Thomas Mitchell. This opus written by a couple of unknowns and housed the 48th Street Theatre since its opening ten days age, is probably the furriest and certainly the most wholesomely bawdy comedy of the year...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 2/1/1935 | See Source »

...plays checkers with the palace flunkeys. When the Queen goes away and a revolution breaks out he sides with the people. By the end of the film he has thrown the dictator out, put the radical leader in his place, married the princess to the plumber. If Actor-Director Sherman had stuck to the mood of drawing-room satire in which the play was written he might have been successful; as it stands The Royal Bed falls to bits between Graustarkian romance, farce, and heavy-footed satire. Best shot: the Queen's reminiscences of her trip...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

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