Word: actor
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Dates: during 1950-1959
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TELEVISION, which can never get quite enough talent, is currently getting a mighty dollop of it from one man. He is a playwright, director, actor; a veteran of the West End, Broadway and Hollywood; wit, linguist, dialectician and a mimic who can echo anything from a talking dog to a racing car. For an account of his prolific adventures in TV and elsewhere, see TELEVISION AND RADIO, Busting Out All Over...
Eleven years ago in the predawn of TV, Milton Berle mused: "I'm not the manufactured Broadway comedian any more. I'm going back, back to my real talent. I began as a dramatic actor, you know." Instead, for eight razzle-dazzle years in which they both became U.S. living-room fixtures, TV made him a prisoner of comedy. Last week, after two years of well-paid retirement as a television personality,* Berle, 49, finally went back to his "real talent...
...debut as a dramatic actor, he chose Material Witness, by Henry (Time Limit) Denker, and the title role of an average householder who sweated out 50 dreary minutes in fear that gangland killers would learn of his presence at one of their crimes. The show was just another dipperful of clabber out of Kraft Theater's antique churn. Berle played the shallowly written role with egregious self-control. Conscious of his dignity as a TV elder statesman, he liked the part because it was, said he proudly, "something unbrash, unflippant and unaggressive-I wanted to get away from...
Director José Ferrer plunges bravely into the mess at the point where Actor Jose Ferrer, who plays the hero, Captain Alfred Dreyfus, is sitting at his desk in the Ministere de la Guerre. He is a braid-proud artillery officer assigned to operations and marked with the uncomfortable distinction of being the first Jew ever elevated to the French General Staff. Meanwhile, over at the German embassy, another French officer, one Major Esterhazy, is making arrangements to supplement his army pay with German gold, for which he is ready to betray French military secrets. When one of Esterhazy...
...camera had shifted with the interest, the picture might have built up an impressive concluding crescendo. Unfortunately, what would interest the moviegoer does not seem to interest the moviemaker-or perhaps the size of the subject frightened him. In any case. Director Ferrer keeps his camera pointed firmly at Actor Ferrer...