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Word: actor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Albee's play has packed every performance since; it still touches off the same responses. To American eyes, the Czechs give Albee's Westchester an oddly Viennese aspect; the impression is compounded of walnut-and-fringed-lamps Gemütlichkeit and the beard of the leading actor, which makes him look exactly like Sigmund Freud. But the play in Prague compares well with productions elsewhere. It is done with subtlety and panache as well as political relevance. These also happen to be the chief characteristics of Prague's extremely vital and varied theater...

Author: /time Magazine | Title: Theater: The Czech Stage: Freedom's Last Barricade | 7/25/1969 | See Source »

...carlessness and the quiet appeal to all of Port Grimaud's regulars. Actor Jacques Charrier, Brigitte Bardot's ex-husband and one of the Port's celebrity set, says that "I've tried every kind of holiday in the south of France. I've rented the most luxurious villas. You end up every time driving your children back and forth between the house and the beach. You spend half your vacation in your car." Still, it is the proximity to boats that truly delights. As one man puts it: "I jump...

Author: /time Magazine | Title: Resorts: Antiquity-sur-Mer | 7/18/1969 | See Source »

...Teuber himself who puts the stigma of ultimate mystery on the figure of Jesus. An actor of extraordinary range, his performance is theatrically protean. Teuber's Christ is by turns a performer, a teacher, an advocate, as well as men and God. Playing always to an audience among the other characters--whether to his disciples, his accusers, or the crowd at large--he reserves the essential personality of Christ himself. Where acting styles are concerned, "use anything" would appear to be Teuber's operating principle, no less that that of the entire remarkable show, including Peter Ivers' electric eclectic...

Author: By Peter Jaszi, | Title: Jesus | 7/18/1969 | See Source »

...John Wayne gives an absolutely magnificent performance as Rooster Cogburn, the old marshal. His characterization is a modification of the familiar Wayne walking through the action unperturbed, but is so subtle and full of things peculiar to Cogburn that one is forced to marvel at the ability of an actor to take and archtype and mold it to fit a particular situation...

Author: By Terry CURTIS Fox, | Title: Grit | 7/15/1969 | See Source »

...kept jumping up and down in his seat is any indication, the flamer of a middle-aged fag who ended up in the seat next to me simply loved Rita--so I guess Moss also puts in a pretty credible performance. At any rate, he is the only actor on stage who manages to stay in character for the entire evening, which in this production is something of an accomplishment...

Author: By Grego J. Kilday, | Title: The Hostage | 7/15/1969 | See Source »

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