Word: actor
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Dates: during 1960-1969
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Died. Wendell Corey, 54, character actor and political activist; of a liver ailment; in Woodland Hills, Calif. Corey's blue eyes could reflect the dementia of a paid killer (The Big Knife) or the dedication of a tough-talking psychiatrist (NBC-TV's The Eleventh Hour), and his career encompassed nearly 40 films and TV shows in 21 years. Offscreen, he was one of Hollywood's most ardent Republicans, campaigned tirelessly for Fellow Actor George Murphy's election to the Senate and was himself elected to the Santa Monica city council...
Lear should be a storm, as well as be in a storm; Cobb is not quite up to that. He is more like Job than Jove. When he hurls his anathemas, he tends to scream unintelligibly, suggesting the hapless actor of whom Kenneth Tynan wrote that listening to his Lear "was like lip reading Shakespeare by flashes of lightning." But during the storm on the heath, Cobb's Lear gains in compassionate wisdom what he loses in pride and sanity. As he shelters the shivering Fool, listens to the gibberings of mad Tom and later gazes into the bloody, eyeless...
...Barrett House, a family hotel fittingly located on Broadway. (During his last illness in Boston 65 years later, he was to raise himself from a stupor and cry: "Born in a goddam hotel room and dying in a hotel room!") His father, James O'Neill, a famous romantic actor of the day. was giving something like his 1,400th performance in Monte Cristo, the play which for over a quarter of a century was to stunt his growth as a performer while it made him a rich man. In recovering from the aftereffects of Eugene's birth...
...says almost longingly that "we have lost all sense of ritual and ceremony-whether it be connected with Christmas, birthdays or funerals-but the words remain with us and old impulses stir in the marrow." Brook's deepest illumination about a holy theater comes from the French actor and critic Antonin Artaud, who conceived of the theater of cruelty as searingly holy, "working like the plague, by intoxication, by infection, by analogy, by magic; a theater in which the play, the event itself, stands in place of a text...
...offered up his body for three boxing rounds against Archie Moore, suffered humiliation across the tennis net from Pancho Gonzales, floundered in the watery wake of Swimmer Don Schollander, lost at bridge to Oswald Jacoby, and banged percussion instruments with the New York Philharmonic. He is, in effect, the actor of the average man's Walter Mitty dreams-the real-life agent of vicarious thrills. And now, in The Bogey Man, Plimpton records the humorous agonies of his experience as a mock-professional golfer...