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Word: actor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Actress Samantha Eggar took hers to her wedding-he sat in the front pew on the "bride's side." Lady Beatty's got bundled off on the honeymoon as well. Actor Paul Scofield confesses to having stolen one. The King of Thailand has taken his along on state visits. All are participants in what British Actor Peter Bull describes as "the vast underground Teddy-bear movement which exists in the adult world...

Author: /time Magazine | Title: Modern Living: Bear Market | 12/5/1969 | See Source »

Teddy bears kid stuff? Not so, says Peter Bull in his book, Bear with Me, published in England. Give a Teddy to an impressionable child, and the bear has a place in the child's effects and affections for life. Bull, a character actor whose own family of Teddies numbers 14, presents ample and arresting testimony to the fact that he is no oddity but merely one of thousands of thoroughly grown-up people, all dedicated "arctophilists"-friends of the bear...

Author: /time Magazine | Title: Modern Living: Bear Market | 12/5/1969 | See Source »

...ideas of theatre as a medium unto itself, theatre as a confrontation between actor and audience, props and costume being relatively unimportant-all these had never really occurred...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...most important ideas for me in the book was the dictum that every day the actor and director must ask himself why he is in the theatre; I examined my own motives (really for the first time) and began to see that the theatre ideally should be a place of giving to people (an audience) who can come to commune with each other in an emotionally active way, where the actor does something in place of, and yet for, the spectator...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

Working in this way, I found that the intuitive actor was more adaptable and artistically free with these techniques than some of the others who had had a lot of experience in the more traditional theatre. After all, to work under the impression that you turn yourself into another character when you're on stage for many years, and suddenly to be confronted with the simple notion that you are always you, on stage and off, is a frightening prospect...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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