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Word: actor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...interview with the elusive and anonymous actor revealed that the purpose of his calls is to unify the freshman class, which he feels is "too individualistic and snobbish...

Author: NO WRITER ATTRIBUTED | Title: Yard's Ape Man Escapes Capture | 11/2/1967 | See Source »

Among the accomplished Negro players in the series are Booker T. Bradshaw '62 (already a highly gifted actor as a Harvard undergraduate), Roscoe Lee Browne, Gloria Foster, Ossie Davis, and Brock Peters. Bradshaw will have the main role in the November 19 drama about Charles Spaulding...

Author: By Caldwell Titcomb, | Title: Great American Negroes | 11/1/1967 | See Source »

...sure, the respectable longhair stands slightly in the hippie's debt. The equivalence of long hair and youth appeals to middle age; the 50-year-old may not look any younger or more like an actor if he lets his hair grow out -or asks his hair stylist to tease a bit more body into it-but he thinks he does. So do many women, the ultimate stylesetters for men. Long hair is also a way of advertising the distance a man has moved upward in a culture now more than ever devoted, in a time of expanding income...

Author: /time Magazine | Title: Essay: LONGER HAIR IS NOT NECESSARILY HIPPIE | 10/27/1967 | See Source »

...proved with the Flint films, Coburn can cut a wide peel from some mighty small potatoes. But this enterprise makes him seem less a star than a character actor who needs smaller roles in order to regain his comic stature. In part, the blame may lie with a bland, spiritless script that fancies itself original in lampooning western cliches, yet has the temerity to steal Jack Benny's most famous joke: "Your money or your life." Pause. "Well?" "I'm thinking." Theft and rape may sometimes be forgivable; plagiarism never...

Author: /time Magazine | Title: Cinema: Stolen Goods | 10/20/1967 | See Source »

...look at the history of drama in the Greek culture. It starts off with the people dancing, chanting, all together, all audience. Then one day, some kind of possessed satyr cat jumped out of the crowd and became the first actor. There is one actor now. We're right at that middle ground where it's not quite drama and it's not quite primitive either. Maybe two actors will come next, then three and then it'll be a drama instead of just a song...

Author: By Jeffrey C. Alexander, | Title: Psychedelic Revolution in Rock 'n' Roll: Confessions of Four Doors Who Made It | 10/13/1967 | See Source »

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