Word: actor
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Dates: during 1970-1979
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...hand, you sonuvabitch," the old lawman cries, clamping the reins of his horse between his teeth and filling his own hands with six-gun and repeater. In a moment the bad guys are dead, and just as the old man faced them down in True Grit, so did the actor face down the last of his doubters, at once affectionately parodying and paying tribute to the American heroes he had played in more than 200 films. The film brought John Wayne an Academy Award and a sort of universal indulgence to do, say or be anything he wanted...
...repubblica italiana. The citation read by Amedeo Cerchione, Italian consul general in Los Angeles, ranked Sinatra a "great and meritorious official of the Italian republic" for his philanthropic work, the prestige he has brought Italy as an Italian American and, of course, because he has "proved himself a brilliant actor, a most capable interpreter of drama with award-winning performances, and a talented singer whose voice holds an always identifiable quality of uniqueness." Sinatra accepted on behalf of "all those fine, decent people out there all over America who get out of bed every morning to do their share...
...Shakespearean terms, this interpretation is an unconscionable outrage, yet it leaves a vivid comic impression. What makes Pacino dreadfully wrong for the role enhances what is prickingly funny about the way he plays it. In social mobility, this young (39) actor has come a long way upward from The Bronx, but no one has been able to mouthwash The Bronx from his speech patterns. From moment to moment, his urban streetside inflection breaks up the house, deliberately. Pacino has insufficient breath control to carry a Shakespearean line, so he spits out the poetry and mars the imagery. He strikes just...
Pacino commits the cardinal sin of the actor by playing directly and shamelessly to the audience, even to the point of facial telegraphy with broad smirks, grins and grimaces. It is an attention-getting device for securing the playgoers' sympathy. As a result, the corrupt ambition and awful malignity of Richard are whittled away, and he appears as no more than a roguish prankster...
There is an old evangelical hymn whose refrain runs, "Brighten the corner where you are." Scarcely anyone on either side of the Atlantic does that with more dazzling spontaneity and skill than Britain's Actor-Dancer-Singer-Clown Jim Dale. He is a grand and compelling reason for being at New Haven's Long Wharf Theater at the present moment instead of wherever you happen...