Word: actor
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Dates: during 1970-1979
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...lighting and the music immeasurably enhance the performance's emotional atmosphere, but the production escapes detachment and coldness chiefly because of uniformly excellent acting. Every actor crafts and sustains a character; even the bit parts are people with distinct--if annoying--personalities. Heitzi Epstein (Olga), Jenny Cornuelle (Masha) and Anne Clark (Irina) turn in carefully sustained and sensitive performances as the three sisters whose emotional foibles and frustrations are the play's heart. Clark as the youngest sister deftly moves from lighthearted young girl to pensive despairing woman. In one scene she darts across the stage, childishly reveling...
WATCHING A SUPERB actor debase himself in search of that seven figure income no longer shocks me--the sight of Sir Laurence Olivier pounding away at a French maid in The Betsy destroyed any illusions I might have entertained about artistic integrity. But the opposite situation--watching a former TV sit-com starlet metamorphose into a first-rate actress--amazed me. Expecting "Gidget Goes to Harlan County," I was surprised, impressed and moved by Sally (Flying Nun) Field's performance in Martin Ritt's new film, Norma Rae. She delivers a powerful shaded performance as Southern woman who slowly learns...
...mots flowed faster than the Clement Colombet Chablis at the American Film Institute dinner in Beverly Hills, Calif., honoring bulbous Meisterzinger of Murder Alfred Hitchcock at 79. "Hitch's genius," quipped Actor John Forsythe, "is that he can put such life into death." Ingrid Bergman praised the director as "a gentleman farmer who raises goose flesh." Ventured Cary Grant, who managed to emerge alive from four Hitchcock epics: "The best is yet to come, Hitch." Spattered with tributes and smothered by adoration, Hitchcock observed in his familiar bullfrog voice: "Man does not live by murder alone. He needs affection...
...retired from the soccer field. Other arenas soon presented themselves. Not quite 21, Camus married Simone Hie, a beautiful young woman and a drug addict. Within a year the couple were estranged, and Camus began his lifelong exploration of "the tender and reserved friendship of women." He became an actor-director in a workers' theater, a profession that taught him the value of public postures, and he joined the Communist Party, with which he would have his bitterest wrangles...
...voice of a normal man rather than one who was old and deaf. Perhaps the fact that Gabrial has so many speeches--which could possibly be read as internal monologues--led them to this. At any rate, Dobal comes across as exactly what he is--a 20-year-old actor with silver paint in his hair. He doesn't convey enough of the decrepitude or pathos inherent in Gabriel's character. In a key scene with Serge at the end, however, he manages to expand into his role, and that helps forgive much of his performance...