Word: actor
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Dates: during 1970-1979
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...strong, if unspectacular Tom. He delivers best in Tom's narrator role, reflecting over the poetry of his own sentences, speaking softly, a clear ribbon of regret winding through the words. But at tims, Hanes' voice rings too smoothly, Shakespearean in tone, stagy. Tom is a writer, not an actor, and the immense presence that Hanes gives his character is oddly wrong, too smug, too fulsomely gesturing, too much exterior acting. It is a terrific role, at once subtle and obvious, but the actor's energetic anger, bitterness and sense of adventure must come from deep within. In the scenes...
...meet candidates and test political moods. In the past two months, Stacks has done extensive firsthand reporting on Massachusetts Senator Edward Kennedy, California Governor Jerry Brown, Texas Republican George Bush and Reagan. He and Los Angeles Correspondent Joseph Kane collaborated on the profile and interview of the former actor and Governor that appear in the Nation section this week, on the occasion of Reagan's formal announcement of his candidacy for the White House. Says Stacks: "What I expect to be doing in the coming months is a great deal of flying-on big planes, medium-sized ones, little...
MARRIED. Michael Moriarty, 38, actor (Bang the Drum Slowly, Holocaust); and Anne Hamilton Martin, 35, a publicist and sometime actress with Moriarty's Potter's Field Theater Company; he for the second time, she for the first; in Manhattan...
...villain of the show is Father Dunleavy, whose fanatical cult takes over the transatlantic luxury liner Festivale and holds its passengers hostage for $70 million in ransom. Like Jones, Dunleavy is said to be charismatic, sexy and demonic, but ABC is too smart to cast the role with an actor who might offend a Nielsen family. Instead, Dunleavy is played by Telly Savalas, whose bland manner and leisure suits make him seem more like a Las Vegas maitre d' than a satanic killer...
This is not to say that Douglas is an unappealing actor or that Susan Anspach, his long-suffering spouse, does not have some good moments playing a lady who knows better than to love him but cannot help herself. As a director, Steven Hilliard Stern does some nice, gritty road and street work. It is as a writer that he allows too much rigging to show. In both capacities, he tends to veer from the excessively melodramatic to the overly adorable, never finding the steady realistic pace that in movies, and in marathons, makes for a winning - or at least...