Word: actor
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Park's veddy English Wallace & Gromit: The Curse of the Were-Rabbit), while Pixar has taken five: Finding Nemo, The Incredibles, Ratatouille, WALLE and Up. This year, DreamWorks' perky Monsters vs Aliens was not even one of the five finalists. "Each year I do one DreamWorks project," actor Jack Black told the crowd at the 2009 ceremony, "then I take all the money to the Oscars and bet it on Pixar...
...Tennessee/ Greenest state in the land of the free ... Davy, Davy Crockett/ King of the wild frontier." Under the iconic cap--just one of the show's many merchandising tie-ins--stood Fess Parker, who died on March 18 at 85. The 6-ft. 6-in. Texas-born actor fit the rugged American frontiersman mold so well in the five Crockett episodes of ABC's Disneyland that he went on to play Daniel Boone in the 1960s NBC series of the same name. (Boone, as the ballad went, "was a man, yes a big man!") Parker starred in such movies...
...actor is someone who sells the script without making it sound like a carny's come-on, then John Forsythe was John Barrymore. And he did it for 60 years...
Forsythe had a guardian angel in the Hollywood Hills: producer Aaron Spelling, who was pretty much responsible for the second half of the actor's career by casting him in Charlie's Angels (1976-81) and Dynasty (1981-89). Forsythe's Charles Townsend, head of his own L.A. sleuthing agency, was the boss of Angels Kate Jackson, Jaclyn Smith and Farrah Fawcett (replaced in the second season by Cheryl Ladd). Heard only on speakerphone, and seen only from behind, often surrounded by doting babes, Charlie was Hugh Hefner as Philip Marlowe, and the bachelor father of his Police Academy hotties...
...Carrington family grew larger and crazier, as Alexis purred and Krystle pouted, as Blake surged from kidnapping to murder rap, Forsythe kept his hold on the viewers' belief and rooting interest. He knew that his job was to make the impossible sound plausible, and that not every actor has to be Brando. The craft can be sedative as well as stimulant. There's a place for the traditional performer - the audience's ordinary extraordinary surrogate, the one who explains to them the awful thing that just happened...