Word: actore
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...speech is central in both of these controversies. The PCC is investigating the complaints against Moir's column, but the incident is likely to end with a slap on the wrist. Even as the outrage over her column continues, there's a growing backlash against her leading critics. Comedic actor, writer and Twitter pioneer Stephen Fry has come in for the most censure. Columnist Brendan O'Neill wrote that Fry had used Twitter as a "virtual lynch mob" that had set press and speech freedoms back...
...dubbed "single-serving sites," and they range from marginally useful (IsItChristmas.com answers "No" 364 days a year) to handy (HowMuchIsAStamp.com) to the surprisingly interesting (HowManyPeopleAreInSpaceRightNow.com). Not all the sites answer questions; some just state facts. The legume featured in ThisPeanutLooksLikeADuck.com is, indeed, uncannily ducklike. Eighty-eight-year-old Godfather actor Abe Vigoda is still alive, according to the one fact available at AbeVigoda.com...
...Hooper's new film, The Damned United, British actor Michael Sheen takes on Clough. Like the two roles he's best known for - Tony Blair in The Queen and David Frost in Frost/Nixon - the part was written for Sheen by British playwright Peter Morgan, their sixth collaboration. Unlike Blair, Clough is barely known outside Britain, and The Damned United is unlikely to get a wide release. That's a shame; great though Sheen's Blair and Frost were, his Clough is of an even higher order, combining psychological insight with dead-on accuracy. (See TIME's photo-esay "Soccer...
...would be a tremendous shame if “The Damned United,” the latest collaboration between screenwriter Peter Morgan and actor Michael Sheen, were deemed merely a good sports movie. This is not a genre film. Football—soccer in this country—is not the subject matter so much as a conduit to the film’s study of ego and relationships. Previous collaborators on “Frost/Nixon” (in which Sheen played television presenter David Frost) and “The Special Relationship...
...first act, it is clear that James’ recklessness is at least partially a façade. The problem is that nothing lies underneath. Perhaps James was meant to be fundamentally empty. Perhaps the same role would seem more nuanced if an older actor were in it. Or perhaps Sterle has just neglected to endow his performance with much needed complexity—although for an actor of such obvious skill, this seems unlikely. Whatever the reason, James does not bring as much to “Last Call” as Sara and Ellie, and at times...