Word: actorisms
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...Ukrainian-born musician, actor and sometime philosopher has been performing almost all of his life, but the past year has taken his street-recognition factor to a new level. Hutz's renown stems mostly from his front-man role in the New York City-based multiethnic band Gogol Bordello. They have toured continuously since their acclaimed fourth studio album Super Taranta was released in July last year. Rolling Stone hailed it as "an explosive album by a band whose shows wow orgiasts from Seattle to Kiev." That raucous live show - something akin to a traveling circus, with Hutz...
...only be the terrible muddle that finally elbows aside the previously preoccupying sexual shambles. That's especially true of The Dying Animal, when mortality settles on the wrong person at the wrong time. There are things wrong with Coixet's movie. Ben Kingsley is, of course, a fine actor, but in this instance there seems to me something smug, held back, in his work. Roth's Kepesh, at least for a time, has more spritzing fun with his minor celebrity life than Kingsley's does. The latter seems insufficiently surprised and confused by the turn his life takes. And Coixet...
Make-Believe war is hell, stiller suggests, but Hollywood is hell on the Pacific, and the enemy is just as dangerous as the drug lords Speedman's squad runs into. The actor's agent, Rick Peck (Matthew McConaughey, who nearly ambles away with the picture), worries mainly that his client hasn't been perked with TiVo. But Peck is a baby seal next to studio boss Les Grossman (deliciously played by Tom Cruise as a bald, grotesquely hairy Moloch), whose obscene phone calls usually include the threat to put something big of his into something small of the other fellow...
...Bill Murray to Seth Rogen) sport a louche, slackerish affability, Stiller often plays the less-than-pleasant comic foil: the tightly wound unhero who either gets on everyone's nerves (Dodgeball, The Royal Tenenbaums) or is the hapless pawn of domestic fate (Meet the Fockers, The Heartbreak Kid). As actor, writer or director, he knows something most Hollywood people don't: certain characters needn't be lap-dog lovable--if they're funny enough, the movies they're in can still be hits...
...Russell Crowe, Daniel Day-Lewis and Robert De Niro in his body-punishing Raging Bull days, and Downey brings a nice pomposity to his blackface posturing and righteous-pimp drawl. (The joke, by the way, is clearly not on African Americans; it's on the actor's belief that he can play anyone.) But Lazarus and the others out there in the jungle don't evolve or devolve; they are figures from an SNL skit or the director's own very smart Ben Stiller Show back...