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Word: actorly (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...opposite TOM HANKS and be directed by Steven Spielberg. But first he had to get through boot camp. "They took us to the forest somewhere in England," says Sizemore. "All we had was World War II blankets and rations. It was so hard." All the actors got up at 4:30 a.m., and neither he nor Hanks (who plays a captain) got star treatment during the exercises. "Tom and I had to run in the front," says Sizemore. "I threw up all down my shirt the first day." Yet the actor knows it would be churlish to complain, since...

Author: /time Magazine | Title: People: Oct. 20, 1997 | 10/20/1997 | See Source »

Close your eyes and you'd swear you were listening to Montgomery Clift. Open them, however, and all you have is Ben Chaplin, the young British actor, who may be able to match the indolent flatness of Clift's voice, but lacks the sinuous ambiguity Clift brought to the role of fortune-hunting Morris Townsend in the 1949 movie The Heiress...

Author: /time Magazine | Title: CINEMA: MISPLACED AFFECTIONS | 10/20/1997 | See Source »

...Sayonara (1957) has Brando, James Garner, and Ricardo Montalban ? as a Japanese guy. Comedian Red Buttons played it serious for a Best Supporting Actor nod in the wartime hankey-wringer that won a fistful of hardware that year...

Author: /time Magazine | Title: Couch Potato: In the News | 10/17/1997 | See Source »

Soul Food's early success bodes well for other forthcoming black-themed, black-produced, modestly budgeted films, notably Eve's Bayou (produced by actor Samuel L. Jackson and due out Oct. 24). It also sets the table for two black-produced films with blockbuster potential: Amistad (produced by Debbie Allen and directed by Steven Spielberg) and Beloved (produced by Oprah Winfrey and directed by Jonathan Demme). And finally, it's a welcome little victory for cinematic wholesomeness. "Some of the black films today are not deep," says filmmaker George Tillman Jr., 28, who wrote and directed Soul Food, basing...

Author: /time Magazine | Title: CINEMA: COOKING UP A HIT | 10/13/1997 | See Source »

When Malick gives concrete notes, he tends to speak in metaphors as singular as the images in his films. He talks about the "green poison of war," and instructed one actor to play a scene like "a squid being thrown up on the beach from the abyss." On the other hand, the stage directions in his script could be dauntingly airy for an actor: "Fife's terror passes gradually over into a longing for life and peace." How do you play that...

Author: /time Magazine | Title: TERRENCE MALICK: HIS OWN SWEET TIME | 10/13/1997 | See Source »

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