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Word: actorly (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...movie world of many worlds, where humans interact with other intergalactic species, it just makes sense that live action should consort with puppeteering (Yoda is still voiced and manipulated by Frank Oz) and digital auteurism. So, yes, there must be real actors. It takes a real actor to stand on a bare stage and pretend it's the gigantic Galactic Senate, or to have an argument with an invisible junkman. And it takes a trusting actor to endure the secrecy attending a Star Wars production...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

...Alfred Hitchcock, actors were cattle. To Lucas, actors are pixels--visual elements whose performances can be refined in computerized postproduction. For a certain scene, Lucas liked Take 4 of one actor, Take 6 of the other; he patched the two together and digitally fixed the middle. "Most directors wouldn't manipulate the scenes as much as we've done," says film editor Paul Martin Smith. "If we don't like how it looks, we change...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

...role of Henry requires a dynamic actor willing to take risks, and David Skeist is certainly that. In a spellbinding performance, Skeist captures the anger and the pathos of his character, seemingly without effort. He spares no vocal or gestural expense and succeeds in making Henry's lengthy monologues sing vibrantly. By the end of the second act, Skeist has made us look past his absurdly childish costume (which makes him look vaguely like Big Bird in drag) and see nobility and brilliance in his character. (Skeist was also extremely ill during Henry's run, but he nonetheless gave...

Author: By John W. Baxindine, CONTRIBUTING WRITER | Title: Oh, Henry! Allusions of Grandeur | 4/23/1999 | See Source »

...role of Henry requires a dynamic actor willing to take risks, and David Skeist is certainly that. In a spellbinding performance, Skeist captures the anger and the pathos of his character, seemingly without effort. He spares no vocal or gestural expense and succeeds in making Henry's lengthy monologues sing vibrantly. By the end of the second act, Skeist has made us look past his absurdly childish costume (which makes him look vaguely like Big Bird in drag) and see nobility and brilliance in his character. (Skeist was also extremely ill during Henry's run, but he nonetheless gave...

Author: By John W. Baxindine, CONTRIBUTING WRITER | Title: Oh, Henry! allusions of grandeur | 4/23/1999 | See Source »

This true story starts in 1927 when Harry Frommermann, an out of work actor, gets the idea to form a multi-part harmony group, and places an ad in the paper. After a few initial flops, the six-man Comedian Harmonists update their repertoire, adding jazzy syncopation and some naughty lyrics. Their innovations are hilariously documented in one great scene, where they do an improv imitation of a purely instrumental jazz band. They are soon discovered, and become, in effect, The Beatles of Berlin...

Author: By Annalise Nelson, CONTRIBUTING WRITER | Title: The Harmonists | 4/23/1999 | See Source »

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