Word: actorly
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Dates: during 2000-2009
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...what if Prospero is a deceiver? A usurper? A false sovereign, like Macbeth? Philip Roth’s latest novel, “The Humbling,” suggests the synthesis of these two roles in the book’s protagonist: the aging, once-great stage actor Simon Axler. “He’d lost his magic. The impulse was spent. He’d never failed in the theater, everything he had done had been strong and successful, and then the terrible thing had happened: he couldn’t act,” it begins...
...cruel (if not particularly funny) joke that Axler’s breakdown ensued after a failed Prospero/Macbeth double bill. It’s simply inevitable, then, that when Axler finally answers Hamlet’s question for himself—his confidence, his sense of spontaneity as an actor finally restored—it comes in the form of an improvisatory gesture...
...even that gesture, a suicide tailored in the fashion of Chekov’s “The Seagull,” with a note bearing that play’s final lines, is inherently a performance; “It was in an Actors Studio Broadway production of ‘The Seagull,’ and it marked his first big New York success, making him the most promising young actor of the season, full of certainty and a sense of singularity, and leading to every unforeseeable contingency.” For Axler, this consummate performance, this total...
...knowing that this community exists and knowing where to find it. “I’m not going to go out of my way to get in touch with recent grads, but if they seek me out, I would give them advice,” actor Dan A. Cozzens ’03 added...
Fast Facts: • Born Oct. 23, 1945, in Brockton, Mass., Feinberg, now 63, earned a degree in history from the University of Massachusetts, where he became involved in theater and briefly considered a career as an actor. Instead, he decided to pursue a law degree at NYU, where he served as articles editor of the Law Review...