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...context,” says Eisenberg. Thus they were able to salvage consistency in the film’s post-production. But though the actor assures that the changes didn’t affect the ultimate outcome in the quality of the film or cause the actors?? performances to suffer, it’s difficult to see how that’s possible, particularly considering Eisenberg’s past performances...

Author: By Morgan Grice, CRIMSON STAFF WRITER | Title: Eisenberg Hopes Career Not 'Cursed' By Film | 3/3/2005 | See Source »

...worst movie The Rock has made yet.” She drives home the point that fans will approach the movie as a starring vehicle for their respective idols, making the questionable directorial choices a bit more reasonable: there needs to be scenes that satisfy each of the actors?? groupies. Problematically, that creates a chaotic movie in which even DeVito diehards will inevitably get the short shrift...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Movie Review: Be Cool | 3/3/2005 | See Source »

With a revamped production team and nearly half new writers and directors on staff, and “40% new actors?? making up the cast members for this semester’s episodes, their commitment is tough to argue...

Author: By Mary CATHERINE Brouder, CONTRIBUTING WRITER | Title: Ivory Towers Ups Presence | 12/6/2004 | See Source »

...Pirates of Penzance made wonderful use of the cozy Agassiz Theater stage with a multi-purpose rotating set. The actors?? interaction with the audience was a fun added touch—the Chorus of General Stanley’s Wards sang their entrance song up and down the aisles before heading onto the stage to finish with a delightful and facetiously choreographed number involving parasols. But perhaps the crowning touch was when major general Howard grabbed an unsuspecting audience member to weep on and was given a hanky by music director and conductor Mark P. Musico...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: Review: ‘Pirates’ Humors, Charms | 12/6/2004 | See Source »

...lighting, and costume is kept to a minimum; the strings of colored lights that sparkle at select moments are the jazziest prop. The emphasis is on the actors?? faces, voices, and motions—the effect is at times orgiastic. The caffeine-induced frenetic energy that escalates in “Coffee in a Cardboard Cup” climaxes in sexy “Arthur in the Afternoon,” in which Cassis and Levine cannot seem to get enough of one another. Each number tells a short story, and taken together they paint an ironic portrait...

Author: By Marie E. Burks, ON THEATER | Title: Theater Review: ‘The World Goes ’Round’ Paints Portrait of Life Through Song | 11/1/2004 | See Source »

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