Word: actors
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...most-anticipated Haiti moment was meant to be Clooney's acceptance speech for Best Actor in a Drama for his role as a lost, airborne soul in Up In the Air. But the seeming favorite lost out to Jeff Bridge's Crazy Heart performance, leaving Clooney smiling politely from his chair instead of raising the rafters from the podium. (See pictures of George Clooney at play...
...most of the categories on both shows, the same people were winners. Best Actor: Jeff Bridges for his role as an alky singer in Crazy Heart. Best Actress, at both: Streep for Julie & Julia and Bullock for The Blind Side. (At the Golden Globes, to get more stars to show up, the actors' awards are split into Comedy/Musical and Drama.) Best Supporting Actor: Christoph Waltz, Inglourious Basterds. Best Supporting Actress: Mo'Nique, Precious: Based on the Novel "Push" by Sapphire. Only in the Picture and Director categories did the two groups disagree. The Broadcast Critics gave those awards to Kathryn...
...defined gay partnerships as "pretended family relationships." Such homophobia emboldened both gay-rights advocates and future politicians. "People came out who otherwise wouldn't have, and it woke up our heterosexual friends and family," says Michael Cashman, now a Labour Member of the European Parliament. In 1989, Cashman and actor Ian McKellen co-founded campaign group Stonewall. Around the same time, Cashman played the role of a kindhearted gay man on popular BBC soap opera EastEnders. As Cashman says: "We moved on and politics eventually followed." (Read: "Bad News...
Little-known actor Rui Ricardo Dias does a fine job portraying Lula from young man to adult, but the film glosses over Lula's frailties, depicting him as a man who can do no wrong. "The director omitted episodes in Lula's life that suggest the President has weaknesses or defects," said Veja, a popular right-wing newsmagazine. "Basically, it's a terrible film," wrote critic Ricardo Calil...
Javier Bardem, the Spanish hunk who won an Oscar as the killer in No Country for Old Men, was originally to play Guido. When he dropped out, the role went to Day-Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman...