Word: actress
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Dates: during 1950-1959
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Cavada Humphrey, an excellent and versatile actress, gives us Blanche as Mr. Rabb describes her but hardly as Mr. Williams does. She is vulnerable all right, but there is no love or tenderness in this Blanche. A dimension has been omitted. What should be a woman desperate for love, protection, and security is merely a woman desperate for sex. As conceived by Mr. Rabb, it is difficult to imagine Blanche's remaining faithful even to Mitch, her Rosenkavalier, the man she wants so desperately to marry...
...failure is perhaps principally Director Zinnemann's, but it is partly Actress Hepburn's, too. The character she plays is a woman torn by powerful emotions, but, although a sensitive performer, the leading lady seems unable to express strong feelings of any kind. She is too cool; and so is the picture. She has the presence of the sprite, not the presence of the spirit. Calm and exquisite in her habit, she looks most of the time like nothing more troubled or troubling than (if such a thing were possible) a recruiting poster for a convent...
...results were slow. In the early winter of 1901, while Captain Jinks of the Horse Marines limped toward Broadway, 21-year-old Ethel Barrymore was sick with fear. And she suffered doubly because she had been born to the stage. Her father, Maurice Barrymore, was a matinee idol. Her actress mother, Georgiana Drew Barrymore, and her uncle, John Drew, two of the topflight actors of the day, could trace their lineage back to the strolling players of Elizabethan England. Anxious not to disgrace the family, Ethel asked herself over and over again: "Why am I doing this...
...deeply penetrating and significant study of English sex and society, with some of the frankest and most adult dialogue ever to come across the screen. As an aging mistress, Simone Signoret gives a devastating performance that justifiably won the Cannes Festival's award for the "best performance by an actress." Named "best picture of the year, 1959" by the British Film Academy...
...heroine of the play is surely the most captivating one Shakespeare ever created. And every actress wants a crack at the part at some time in her career. The American Shakespeare Festival is lucky to be enjoying the services of Inga Swenson; her Juliet is by far the greatest asset of this production, and, indeed, the finest Juliet I have ever seen...