Word: actresses
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Dates: during 1940-1949
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...starry-eyed actress refuses to accept a Joan willing to compromise, to achieve her mission by working with evil men. The more hard-headed director, a typically Anderson dialectician, defends such a conception, and redefines the actress' idea of "faith." All set to throw up her role, the actress discovers, while rehearsing the final scenes, a Joan intransigent enough to die for her beliefs-and settles for that, with the director, as the true test...
...Lorraine is too trickily written, too full of backstage triviality, too discontinuous in its drama to be more than a serious stunt. Yet Joan's story, even when told piecemeal and with no particular eloquence, can still vibrate when enacted by someone suggesting Joan's stature-as Actress Bergman proves...
...Director Margaret Webster (Hamlet, Othello) and Producer Cheryl Craw ford (Porgy and Bess, The Tempest). It had taken the three of them two years to raise almost $300,000 from 144 stockholders (they resisted Hollywood) and to gather a permanent company, including Walter Hampden, Victor Jory, Ernest Truex and Actress Le Gallienne herself...
...Helen Gahagan Douglas, 46, once named one of the twelve most beautiful women in the U.S., former actress and singer, who left the boards for the soapbox during the depression. Her last Broadway hit: Tonight or Never...
...Playwright Loos's Cinderellative, Actress Hayes is on an acting spree. The portrayer of such moral monuments as Queen Victoria and Harriet Beecher Stowe lets fly with a tipsy tango, bawls through the mike a specially written Rodgers & Hammerstein ditty, cuts up under a table, does a swan dive off a bar, sees bottles light up, hears a cash register strike up a tune. Actress Hayes is hardly a born vaudevillian, but she makes what is clumsy about her also seem comical; and she romps through her new role with the gusto of a paperweight that suddenly finds itself...