Search Details

Word: actresses (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...been denied top honors twice before by the inscrutable Cannes Film Festival jury, and she had been passed over only last month for an Oscar. So now, with each other for moral support, Italian Director Michelangelo Antonioni, 54, and British Actress Vanessa Redgrave, 30, she in sequined tunic and tights, braved a screening at Cannes of Blow-Up, in which Vanessa had taken a relatively small part simply because "I wanted to be directed by Antonioni." After the showing, Vanessa went home to London, but Antonioni stayed on for the happy ending: a Golden Palm applauding Blow...

Author: /time Magazine | Title: People: May 19, 1967 | 5/19/1967 | See Source »

...chance. Wherever Romina goes, her actress mother is just a step behind. "She will do everything," says Linda. "She sings beautifully. She paints, she dances like a dream. She even writes poetry." Linda, now 42, considers herself not a pushy stage mother but a servant of destiny. Her astrologer, she explains, prophesied that Romina would have "all and everything Napoleon had without the downfall. I was told this at her birth, so I was able to prepare." But Hollywood was not prepared for Linda's big Power play. During the past month, she has waged a selling campaign that...

Author: /time Magazine | Title: Actresses: Have Nymphet, Will Travel | 5/12/1967 | See Source »

Besides Gitter's, there are three truly polished performances. Stephen Kaplan, as Erwin, acts out The Boss's dilemma in an underplayed, hysterically funny idiom. Kathryn Walker plays an actress in and out of character with precisely the right degree of mannerism, preserving her identity as both a woman and a woman of the theatre. And Arthur Friedman, despite gestures which become too broad a little too often, is a properly ugly, self-assured and obedient cultural bureaucrat...

Author: By James Lardner, | Title: The Plebians Rehearse the Uprising | 5/12/1967 | See Source »

Criticism of Chaplin's old-fashioned visual style and relentlessly stationery camera not withstanding, few directors use the camera as successfully to convey characterizations: he holds a close-up of Tippi Hedren just long enough for the actress to become uncomfortable, and in the context of the scene, Chaplin is able to transfer that quality of detached restlessness from her to the character she is playing...

Author: By Tim Hunter, | Title: A Countess From Hong Kong | 4/25/1967 | See Source »

Pettibon's ultimate downfall is accelerated by the discovery that he has been having an affair with plain Willow Plunkett, a randy secretary in his Paris office. That is too much for visiting Editor Banglehorster. A man of Pettibon's status, he feels, "should have got an actress or an ambassador's wife. Such a man did not belong in Paris. He did not belong in London. He did not belong on the foreign staff...

Author: /time Magazine | Title: Books: Behind the Front Page | 4/21/1967 | See Source »

Previous | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | Next