Word: actresses
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Dates: during 1960-1969
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...center of the film is caught in a home of pervading ugliness and static emotional vacuity. Trapped in the background at a dinner table which serves only as a battleground for his parents (a grotesque self-parody these since they are played by Cahbrol himself and his beautiful actress wife Stephan Audran), he tries to escape first by minor acts of destruction and finally by placing plugs in his ears. After he does so, Chabrol repeates scenes we have witnessed earlier, only this time without sound. As expressed by a slightly closer camera, the visual ugliness which lurks beneath...
...only a question of time. Carlo Ponti Jr., long-awaited son of the Italian producer and Actress Sophia Loren, will become a contributor to the family cinematic combine at the tender age of six months. In I Girasoli (The Sunflowers), a Ponti production now filming in Moscow, Carlo Jr. will portray Sophia's infant son. "I managed to convince Carlo Sr. to allow our son to work in the movie so I could have my baby with me all the time," she said. "I don't want to be away from him for a moment." The script offers...
...Show me an actress who isn't a personality," the lady once said, "and I'll show you a woman who isn't a star." Now, at 58, Katharine Hepburn is still very much a star, but she has wearied of Hollywood's personality fetish; she grants few interviews, is rarely seen outside her private circle of friends, has even hired an agency to keep her out of the public eye. There was nothing she could do, though, about the exhibit opening last week at Manhattan's Museum of Modern Art, which paid...
Born. To Zoe Caldwell, 35, Australian actress who won a Tony for her first big Broadway hit, The Prime of Miss Jean Brodie, and Robert Whitehead, 53, her producer in the play: their first child, a son; in Manhattan...
Probably the best number, though, belongs to an actress who works so hard at it, she almost makes you believe she can't sing. Don't believe it. From her first words as Meg Dillon, the caretaker's mistress, Sheila Hart is in character as a woman (Meg) relaxed and yet confident as she consciously plays ringmaster to the living theatre that is her brothel. In just a few seconds, she similarly includes the audience in her barrage of insults and confidences. Her bitter ballad near the end of the second act, where she is backed by the male members...