Word: actressing
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Dates: during 1960-1969
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They occupy limbo, so nothing really happens. Time Present is monopolized by Pamela (Jill Bennett), an unemployed actress who swigs champagne and keeps a deathwatch on the only man she seems ever to have adored, her actor father. Pamela carps about everything from Americans to taxes to pop art, saving her choicest vitriol for a rival actress she calls "Lady Tinker-Bell" and whom she dismisses as "that blowtorch Mary Pickford." (Played by Kika Markham, she looks more like a striking diminutive version of Vanessa Redgrave.) The role of Pamela is demanding and singularly graceless, but Jill Bennett (the offstage...
...comic promise and beginning of a vapid farce of mistaken-identity crises. Morse's co-star is Doris Day, playing a pulpy, gulpy Broadway actress named Margaret Garrison, whose bed he blunders into by mistake. To disarm audiences-and possibly critics-she sometimes refers to herself as the Constant Virgin, a sobriquet Doris has actually earned in half a dozen previous films, pursued by the likes of Gary Grant and Rock Hudson but remaining a freckle-faced iron maiden to the fadeout. In this picture, she is equipped with a husband (Patrick O'Neal), but by pouting continually...
...least on opening night, and his youthful monotone, obviously deliberate in many places, grew way out of proportion in scenes when some acting would have been appropriate. Lisa Kelley fared a little better as Cressida, probably because the script requires one hell of a character change whether the actress likes it or not, but she spent most of her time struggling with difficult verse and a very strange costume reminiscent of early Ku Klux Klan...
French Canadian Actress Geneviève Bujold is a charmer. Her husband and countryman, Writer-Director Paul Almond, is a cinemagician. Working together professionally for the first time in Isabel, they have created an eye-spinning shocker that massages the heart while icing down the spine...
...varied and larger than could possibly be packed on a stage. The hero Stanley is a young Jewish playwright from Ohio, talented but vain, who is battening on the smash success of his first Broadway comedy. He falls in love with Stephanie von Arnim, a beautiful, aristocratic Austrian actress, and goes to live in her Salzburg castle with the hazy intention of fashioning a comedy for her talents and her accent...