Word: acts
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Dates: during 1920-1929
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...stage offering, more tuneful and delightful than usual, has as its bright spot two acrobat-comedians who do a neat bit jumping back and forth on a rubber net. Their act is carried out with minute precision and is quite different from the ordinary acrobatic stunt. Arthur Martel offers his weekly organ solo, this time in the form of a musical boxing bout between the husbands and wives present and the concert orchestra contributes a dashing rendering of the "Rhapsody in Black and White". All in all the program is a well-balanced entertainment sure to please some...
...their characters, whereas real art demands that the minimum be used--just enough to project the features--and the facial contours, shadows and high-lights of the character be brought out almost entirely by the actor's mental command of his muscles. See Mr. Lunt in the third act of "Meteor" and he seems on the verge of middle years, with his face lined by the lines of egocentricity. Notice him at the curtain call, when he is out of the character of Raphael Lord, and he seems young and normal and entirely unlined...
...gold mine "Caprice" was. Starting with an over-whelming idea--the saga of a man with a clairvoyant gift that enables him to reap riches in business. Mr. Behrman seemed to flounder, to be a little uncertain of his way. This was particularly evident in the second act. The details are revealing, little turns of character are brought out with subtlety and grace, but it is in the larger strokes, the rhythms and counter-rhythms, the transitions from one scene to another, that one feels an ineptitude that, but for Philip Moclier's unobtrusive direction, and the high standard...
...successful in juvenile writing to let slip an opportunity like the Barrie-Kipling dream scene in which the appearance of a Nite, a Squier, and a Buteus Maiden would do any child's heart good. The adult portions of the play are composed of slightly bored dialogue in Act I, a not too effective suggestion of strain in the first scene of Act III, and, in the final scene, a modicum of action that moves to the weak-kneed close...
...direction and staging are at a safe distance from the amateurish. The Mannock library, thrice appearing looks as it should, like the room of a political and unliterary owner. The dream scene in Act II is presented in a properly confused manner, and the nook mid sunny spots of greenery, where the Rt. Hon. Selby Mannock grows romantic, beyond doubt is the sort of place where that sort of man would do precisely that...