Word: actualizing
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Dates: during 1990-1999
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...dormitory once headed by Radcliffe College President Mary I. Bunting exerts a dominating physical presence in the Quad. The walls of its six buildings and dining hall surround the actual quadrangle, which is home to scores of intramural games in good weather. With four Straus Cup titles under their belts, Cabot residents are fanatics about maintaining the House's intramural strength...
...boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage in their...
...SYNC isn't just about sex and pretty faces, though. These for the most part young'uns (their ages are 18, 19, 20, 22 and 27) have actual talent. Their roots in a cappella were revealed by the dreadlocked Chris as the group launched into a harmonically gorgeous "I Drive Myself Crazy." Other ballads like "God Must Have Spent A Little More Time On You," which the band dedicated to a lucky few girls who were given seats onstage, also showcased the band's vocal skills...
...boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage in their...
...boys screamed along as the older break-up anthems came on, but the newer songs are plenty angry, never fear. Pollard's howled rendition of "Break Free," which he wrote for the new album, was particularly frightening. Lou's soulful lyrics and simple beats on "Flame" transform angst into actual anguish, however, and on many of the pieces from the latest album the guitars do most of the screaming. Due in part to Lou's sore throat, this emphasis on dexterous guitar and bass still conveys the raw emotion and intensity of Sebadoh's songs. Slouching on stage in their...