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Students and House administrators alike have complained that, under the current system, too many students flock to the residences nearest to the Yard for their midday meal, crowding out the Houses’ actual residents...

Author: By Margot E. Edelman and Victoria B. Kabak, CRIMSON STAFF WRITERS | Title: House Life Panel Debates Party Grant Dispersal | 3/16/2007 | See Source »

...that font of gore, offers more family and documentary shows than ever were available in the three-channel era. But if politicians simply respected the audience's choices, stopped posturing against theoretical violence and fictional bad guys, they would have to focus on, say, the thornier problems of stopping actual bloodshed in the real world...

Author: /time Magazine | Title: The Coming Fight Over TV Gore | 3/15/2007 | See Source »

...companies doing business with the Sudanese government is misinformed and is energy wasted by the Harvard Darfur Action Group (HDAG) and The Crimson. Not only do the groups’ allegations fail to understand the possible investment choices given the HMC, but they do not even account for the actual holdings in Harvard’s endowment. The allegations only serve to demonstrate a lack of understanding of financial instruments, unnecessarily tarnish the University’s name, and keep the HMC from doing its job. First, when the HMC reports its holdings, it only reports long stock positions...

Author: By Benjamin J. Conlee | Title: Criticism of HMC by HDAG and The Crimson is Misinformed | 3/15/2007 | See Source »

...undergraduate curricular review. He also said in an interview after the speech, "Much of it reflects things that were my focus during my presidency," and praised half a dozen initiatives, including faculty-student contact, the empirical reasoning requirement, the attention to pedagogy, secondary concentrations, and the emphasis on actual knowledge rather than ways of knowing...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: News Analysis: With Book on Horizon, Summers Sharpens His Critiques of Harvard and its Faculty | 3/15/2007 | See Source »

...Thin Red Line.” Unfortunately, each character in “Barley” lacks a three-dimensional personality and fails to interact with others in any sort of compelling way. Screenwriter Paul Laverty and director Loach leave no room for an actual narrative between the film’s many bloody scenes. The incredibly clichéd and predictable dialogue makes the characters even more robotic. A last-ditch effort to imbue the film with emotion in the final scene falls flat, as the monotony of earlier scenes has dulled the audience to a point where...

Author: By Christopher C. Baker, CRIMSON STAFF WRITER | Title: The Wind That Shakes the Barley | 3/15/2007 | See Source »

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