Word: actually
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Dates: during 1960-1969
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...race, Ondine was becalmed for twelve hours, but still led the 151-boat fleet across the finish. Her time-83 hrs. 12 min.-was a full hour faster than the second boat. Strictly for Power. Unlike most ocean-racing yachts, which are designed to compete on corrected rather than actual time (under a labyrinthine handicapping formula), Ondine is built strictly for brute power. "The only things we're trying to prove," says Long, "are that we can finish first and break records doing it." And hang the expense. Designed by Long Island Architect William Tripps, Ondine has a hull...
...terms of character, however, Shakespeare's interest--and ours--centers on Richard himself, who emerges as a portrait of fantastic subtlety and complexity. Richard is bright, sensitive, and articulate; he is also prodigal, self-indulgent, and histrionic. The actual coronation of the historical Richard was unprecedented in pomp and splendor and set the pace for the king's 22-year reign. As Shakespeare limns him, Richard is, further, an ideal case study of what modern psychiatry knows as a manic-depressive...
...also distorts perspective to reflect the pressures of Manhattan life. Of his grey and pink Squeeze, he explains: "Think of tender flesh squeezed under an environment that is all speed, cement and cars. Grey is an urban color." Squeeze seems to loom above the viewer far larger than its actual eight feet because its vanishing point is situated a foot or so below the painting, in what is known as "worm's-eye perspective." Traditionally, perspective was used to make a painting seem to open a window into the wall; Lukin uses the technique to make Squeeze...
...that extra inches are available to anyone who achieves increasing degrees of success, on campus or off. But apparently the success must be of considerable dimension. For even when he was Professor England, the visitor's estimated height still fell more than half an inch short of his actual height...
...defense, Stanton's telegram pointed out that social scientists have not established that there is a "causal relationship between the fictional portrayal of violence in the mass media and any increase of actual violence in American life." But that may be beside the point. What seems to disturb the majority of the nation's 180 million viewers is not the conclusions of sociologists, but the fact that the horrors of war, assassinations and riots are real enough; why bludgeon TV audiences with variations on violence...