Word: adalgisa
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Last week New York's Metropolitan Opera offered a new Norma production with Joan Sutherland in the title role. Hardly had she finished her first duet with Mezzo-Soprano Marilyn Horne (as Adalgisa) than the audience began to cheer and occasionally stamp and yell. The enthusiasm was fully justified. Sutherland's voice warmed toward a soaring, languorous tenderness. Horne, making one of the greatest Met debuts, showed a vocal reach and richness that exceeded nearly anybody's gasp. In Mira, O Norma, closing Act III, the two together floated along like two strings of a violin being...
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