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Word: adamancy (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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...That Is the Show" is about being moved by others, not about moving. None of the thought-like dancers consistently puppeteered the others; the waxing and waning of their powers made the manipulation more threatening because it was unpredictable. For much of the piece, the "hero," an Adam figure, is carried frozen about the stage. A woman, the ordering spirit of the whirling white chaos, tries to activate this statue, in a reversal of the Pygmalion-Galatea myth of artistic creation. Her attemps to infuse him with life are frustrated by the score, the other dancers, all the externals. Only...

Author: By Eleni Constantine, | Title: Modernity Undanced | 10/4/1976 | See Source »

...vast remove from Faulkner's tormented, often tormenting souls. Many Southern writers, in fact, have chafed at being pigeonholed as such. Flannery O'Connor, a Catholic whose brilliant short stories lacerated characters to get at their souls, once said flatly, "I'm interested in the old Adam. He just talks Southern because I do." But when her native land was ridiculed, she snapped, "When I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it's because we are still able to recognize one." Most Southern writers shared...

Author: /time Magazine | Title: The South/books: Yoknapatawpha Blues | 9/27/1976 | See Source »

...budget did not permit construction of the ark nor the assembling of all God's creatures. For the Creation story, Heyman wove together spectacular color footage of the sun and stars, flowing lava, beasts on the Kenya highlands and fish and flora along an ocean floor. In Eden, Adam and Eve are discreetly nude, and without navels. Heyman insists that he will film every jot and tittle of the Law of Moses, but his project will be well into the 1990s before he faces the challenge of dramatizing the doctrinal letters of the Apostle Paul...

Author: /time Magazine | Title: Religion: The Holy Scripts | 9/6/1976 | See Source »

...attempt to be as literally accurate as we can possibly be," says Heyman. "We don't make up any dialogue." The actors speak their lines verbatim from the Bible, using the languages their characters would have used, though the producers have taken some liberties. Adam and Eve mouth words silently; Abraham speaks Hebrew; Luke, Greek. The voice-over is a word-for-word reading of the Bible in English by such narrators as Alexander Scourby and Orson Welles. The sound track is available in three versions: King James, Revised Standard and New American...

Author: /time Magazine | Title: Religion: The Holy Scripts | 9/6/1976 | See Source »

However, as the era of capitalism dawned two centuries ago, the profit motive found an able defender. In The Wealth of Nations, Adam Smith argued that profits are the legitimate return for risk and effort and that the "Invisible Hand" of market forces would convert private greed into public benefits. A century later, Karl Marx was not so sure. Arguing the opposite view, he asserted that labor, not capital, was the essential ingredient that added value to goods or raw materials in the manufacturing process. Thus, in his view, profit was the "surplus value" that the capitalist unjustifiably tacked...

Author: /time Magazine | Title: Time Essay: Profits: How Much Is Too Little? | 8/16/1976 | See Source »

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