Word: adamov
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...student at Harvard Business School, said that Khan “pointed out to me the importance of thinking ahead of any short-term social dislocations that might occur when providing long-term social benefits,” such as education. Audience member Harris Sussman, who runs the M.N. Adamov Memorial Fund to assist blind people in Russia, said he admired AKDN’s ability to offer such a “wide scope of activities” while still “respecting and operating within these cultures.” —Staff writer Peter...
Died. Arthur Adamov, 61, Russian-born playwright of the absurd; by his own hand (an overdose of barbiturates); in Paris. As a young author, writing to expose his "anguish, masochism, perversions and preoccupations," Adamov turned out plays (La Parodie, 1947; L'Invasion, 1949) that earned him ranking with Beckett and lonesco as a founder of the theater of the absurd. His best-known work was 1955's Le Ping-Pong, an angry indictment of man's dehumanization by machines. "Life is not absurd," he finally admitted. "It is difficult, just very difficult...
...first performance didn't in fact realize the play was over when it came to an end. They waited for more, not because they expected an explicit disentanglement of the sketch's nebulous events--probably they had already become familiar with the promising ambiguities of Pinter, Ionesco, Adamov, Genet--but because the classics of the theatre of the abstract have been long-winded. This one was rapid, lucid; and also banal...
...also had a series of 11 low-budget Workshop productions. Besides providing one student a chance to test his playwrting on audiences (as indicated earlier), the Theatre Workshop gave Beckett's Krapp's Last Tape, Ionesco's The Bald Soprano, Adamov's Professor Taranne, Fry's A Phoenix Too Frequent, Synge's Shadow of the Glen, Genet's The Maids, David English's Waiting for Goodman, Robert Shure's Twink, Ionesco's Jack and O'Neill's The Rope. The production of the last-named was totally inept, but the rest were well worth a visit, with outstanding performances...
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