Word: adamowski
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THURSDAY, JUNE 18.Conductor: Mr. Adamowski...
...extreme high passages with which the number begins and ends, yet as a whole the effort was inspiring, and to judge from the applause it had the prelude was the most popular number of the evening. The two Saint-Saens selections were very happily chosen. In the first, Mr. Adamowski had a chance to show his good taste and fine technique without the pedantry of a concerto and Mr. Nikisch appeared to great advantage in portraying the grotesque humour of the Danse Macabre. It is too bad that some other part of the Mendelssohn Midsummer Night's Dream music...
...programme for the concert in Sanders Theatre at 7.45 this evening will be as follows: Beethoven, Symphony No. 4; Wagner, Prelude to "Lohengrin"; Saint Saens, Rondo Capriccioso for violin; Saint Saens, Danse Macabre; Mendelssohn, Wedding March. Mr. T. Adamowski will be the soloist...
...evening to listen to the following programme: Brahms, Tragic Overture; Beethoven, Aria, (Ah Perfido); Gericke, three movements from a serenade for strings; St. Saens, Introduction and Rondo Capriccizo for violin; Gounod, Aria; Masenet, Aria; Beethoven, Allegretto and Allegro from seventh symphony. The soloists were Mme. Fursch-Madi and Mr. Adamowski. Although Mme. Fursch-Madi's voice shows some signs of wear in portions of its compass, she proved herself as true an artist as ever. "Ah Perfido" was given with great dramatic power, but on the whole, she made a better effect with the Gounod aria, which...
Although not announced in the invitation, the first feature of the evening's entertainment was a concert of some length and of a good deal of excellence. What especially pleased me in this concert was a selection by Mr. T. Adamowski, violinist, and the singing of Heine's short poem, "Du bist will eine Bluma," by the tenor, Mr. T. C. Bartlett, to music by Liszt...