Word: adapters
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Dates: during 2000-2009
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...just the armed forces that will have to adapt to guerrilla warfare. So will the public. Americans like their wars to have clean endings, with ticker-tape parades and a memorial on the Mall in Washington. But guerrilla wars aren't like that. Parents of fighting men in the old colonial powers got used to hearing that their sons had died in sordid skirmishes whose names nobody had heard of or - like the six Americans killed when their helicopter crashed in Afghanistan last week - in accidents far from home. Guerrilla warfare may have fine American antecedents, but we have always...
There are no current plans to adapt any Harvard fight songs, says Orrell, who says he didn’t even know that the Crimson even had a fight song...
...ADAPTATION. At its core, Adaptation is an analysis of the intellectual diseases that plague every writer, from editorial pressure to sibling rivalry to unrequited love. But its narrative edges make it a unique experience. Nicolas Cage plays writer Charlie Kaufman (the real-life writer of the film), who becomes consumed by his assignment to adapt Susan Orlean’s meditative nonfiction novel The Orchid Thief and his own personal eccentricities. Like Kaufman and director Spike Jonze’s previous film Being John Malkovich, several plots overlap and intertwine with surprising at dramatic twists, creating a frustrating, complex film...
...QUIET AMERICAN. Michael Caine is garnering some of the best reviews of his career for his role as a hardened journalist in this adaptation of Graham Greene’s novel. The film, set in 1950s Vietnam, pits Caine against Brendan Fraser’s undercover American spy as Fraser vies for the affections of Caine’s Vietnamese mistress (Do Thi Hai Yen). Fraser’s intervention in the romance is intended to parallel the film’s other plot—a commentary on the early American efforts to eradicate communism in Vietnam. Christopher Hampton...
...ADAPTATION. At its core, Adaptation is an analysis of the intellectual diseases that plague every writer, from editorial pressure to sibling rivalry to unrequited love. But its narrative edges make it a unique experience. Nicolas Cage plays writer Charlie Kaufman (the real-life writer of the film), who becomes consumed by his assignment to adapt Susan Orlean’s meditative nonfiction novel The Orchid Thief and his own personal eccentricities. Like Kaufman and director Spike Jonze’s previous film Being John Malkovich, several plots overlap and intertwine with surprising at dramatic twists, creating a frustrating, complex film...