Word: adaptions
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These fresh perspectives come in response to the questions posed by the exhibition, including “How do the roles parks play in cities adapt as visions of the city change?” and “Over time, how have these parks been made and remade...
...ADAPTATION. At its core, Adaptation is an analysis of the intellectual diseases that plague every writer, from editorial pressure to sibling rivalry to unrequited love. But its narrative edges make it a unique experience. Nicolas Cage plays writer Charlie Kaufman (the real-life writer of the film), who becomes consumed by his assignment to adapt Susan Orlean’s meditative nonfiction novel The Orchid Thief and his own personal eccentricities. Like Kaufman and director Spike Jonze’s previous film Being John Malkovich, several plots overlap and intertwine with surprising at dramatic twists, creating a frustrating, complex film...
...tale of Walter Redlich, a Jewish lawyer who goes to Africa to live with the European expatriate community (which is now mostly Jewish) in and around Nairobi. After opening with scenes of his family’s comfortable home life back in Germany, the film depicts the Redlichs adapt to their new home on a desolate Kenyan farm and struggle with relationships between family members and other refugees from Nazi-controlled Europe . Particularly interesting is Walter’s daughter, Regina, who quickly transitions to life Kenya, embracing the country as her true home and being accepted by native Kenyans...
...QUIET AMERICAN. Michael Caine is garnering some of the best reviews of his career for his role as a hardened journalist in this adaptation of Graham Greene’s novel. The film, set in 1950s Vietnam, pits Caine against Brendan Fraser’s undercover American spy as Fraser vies for the affections of Caine’s Vietnamese mistress (Do Thi Hai Yen). Fraser’s intervention in the romance is intended to parallel the film’s other plot—a commentary on the early American efforts to eradicate communism in Vietnam. Christopher Hampton...
...just the armed forces that will have to adapt to guerrilla warfare. So will the public. Americans like their wars to have clean endings, with ticker-tape parades and a memorial on the Mall in Washington. But guerrilla wars aren't like that. Parents of fighting men in the old colonial powers got used to hearing that their sons had died in sordid skirmishes whose names nobody had heard of or - like the six Americans killed when their helicopter crashed in Afghanistan last week - in accidents far from home. Guerrilla warfare may have fine American antecedents, but we have always...