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...DiCAPRIO: He was a composite character, a representative of the Irish immigrant forming a gang, trying to best adapt his surroundings and survive in this underbelly of society. We wanted to maintain this historical significance, not to make a bald statement about the time but to give a picture of what it would be like. On the other side you have this coming-of-age story, the transition of this young man whose ultimate goal is to avenge his father's death. So, we wanted him to represent the plight of the Irish immigrant, and what it was like...

Author: /time Magazine | Title: Leo Speaks! | 1/6/2003 | See Source »

Various writers tried unsuccessfully to adapt Chicago for the screen, and Hytner eventually dropped out. Madonna also moved on, and Chicago languished until 2000, when Rob Marshall--a former Broadway choreographer who had directed Annie on television--came up with a new concept. The show would be reshaped so that all the musical numbers would take place as elaborate vaudeville routines in the dreamy imagination of Roxie. "The hardest part about musicals is that scary moment when characters start to sing," says Marshall, who recruited screenwriter Bill Condon (Oscar winner for 1998's Gods and Monsters) to write the script...

Author: /time Magazine | Title: Movies: And All That Jazz | 12/16/2002 | See Source »

...hard to write when you're down in the dumps. Just ask Charlie Kaufman. Having written the deliriously original Being John Malkovich, he's hired to adapt Susan Orlean's nonfiction best seller The Orchid Thief. It's a meditative, philosophical, nonlinear narrative, totally resistant to conventional screenwriting technique. Charlie, played with morose and hilarious authority by Nicolas Cage, immediately develops an XXL-size writer's block...

Author: /time Magazine | Title: Movies: No Good-Time Charlie | 12/9/2002 | See Source »

...Harvard players felt they couldn’t adapt quickly enough to Vanderbilt’s size...

Author: By Evan R. Johnson, CRIMSON STAFF WRITER | Title: No. 12 W. Minnesota Will Put W. Hoops to the Test | 12/6/2002 | See Source »

...large part of Harvard’s failure on offense was its inability to adapt to BU’s box-and-one scheme, which was supremely effective at stopping then-junior Patrick Harvey, holding the Crimson’s leading scorer to four second-half points. The Terriers matched up man-to-man against Harvey while dropping the other four defenders into a soft zone, daring the remaining Crimson players to make a shot...

Author: By Timothy M. Mcdonald, CRIMSON STAFF WRITER | Title: M. Hoops To Face BU’s Box | 12/3/2002 | See Source »

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